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allow me to restate
La Petit Mort
in the bottle: Something a little fake and plastic-y. A blast of sweet almond. Musk, not overpowering. Overtones of ... ? I don't know. Something that puts me in mind of just-dried sweat. Not unpleasant. Maybe the initial musk (or a second musk).
on wet: Plastic and almond with overtones of musk and powder. The fresh sweat smell is gone. So far, this is staying remarkably close to my skin.
drydown: Powdery musk. Something a little resinous and/or smoky. Powdery, mostly. Some catch-in-the-throat smokiness coming through, but just barely.
one hour later: Powder, dammit! Why do so many things end up smelling like powder on me?
end of day: I've tried this oil twice now and haven't made it to the end of the day with it. What I mean is, I lose interest, forget about it, then end up remembering a few days later that I never did my final assessment. I wanted to like this, so it bothers me a little to say this: it fails to make an impression. Quite literally. Can't say it's good or bad. Just ... meh.
compared to official description: No idea what ylang-ylang smells like. See "notes after notes" at the end of this review.
notes: Oddly, the cap of the imp (on the inside) smells overpoweringly of plastic and almond. The liquid in the vial is more fresh sweat and musk. I'm guessing some separation happened, but I can't seem to get it recombined. I think there's too little space in the vial to get a good shaking action going. I'll stand the vial on its head for a week or so to see if that makes a difference. [edited to add: I did this. Made a little bit of difference, but there's still a sense of separation.]
notes after notes: If there are moments that deserve to be immortalized with paint, music, or scented oils, they are the ones where words fail. "Seduction, sensuality, the Act, and the aftermath" would definitely be one of those moments. I admire Beth's courage in trying to capture the moment in scent, but I have trouble imagining how you would even go about that. After all, no one wants to smell, literally, like they just had sex. So what then? "Warm, damp skin flushed with the glow of passion." Whose skin? I won't argue that you can't smell someone's desire on their skin, you definitely can. But it's not a particular scent, it's the difference (in anyone's skin) between normal and flushed, dry and damp, blood running normally or hormones raging. This is a different scent on different people. It's each of us, individually enhanced with the heat and chemicals of lust.
I'm not saying that the moment isn't full of wonderful scents: musky, salty, earthy. I can see trying to turn these into a scented oil, but I suspect that Beth is hamstrung in this effort (to a certain degree) by avoiding true animal musks. Maybe what's being attempted here is enhancement of skin -- any skin -- with scents that deepen the inherent skin-ness of each of us. Are we similar enough for this to be successful? I doubt it. There are threads full of people who find a "skin only better" scent for themselves, only for someone else to say it "smells like burned plastic" on them.
What's being captured here then? A feeling? How do you capture the electric ache of being close ... so close ... but not quite touching? With night-blooming florals? And the shuddery first brush of skin on skin; is that myrrh? What about being pulled tight to your lover and feeling the evidence of their desire? How about almost not being able to breathe, anticipating the moment when you'll feel them inside you? Is that ylang-ylang? My point is, we're talking about a series of events which are too tied to the deepest part of yourself, too complex in potential sensations and emotions, for translation, for distillation into a bottle. What defines the essence of breathless, aching sexual need? Almonds?
I know I'm being too literal, but the experience is going to be very different, not just from person to person, but sexual moment to sexual moment, even between the same people. What is a perfume designed to capture the essence of desire and fulfillment going to be like, really? Sometimes the moment is slow and warm; sometimes it's light and sweet. Then there's frantic, heady, overheated, and on and on. Just the idea of these different feelings, different ways in which the moment can play out, puts me in mind of different scents (different music, different colors, different textures, etc.).
If I'm going to be too nit-picky and literal, I may as well take it a step further and talk about the name. La petit mort isn't "seduction, sensuality, the Act, and the aftermath all in one," it's really only the aftermath; or rather, the climax. Can that be a perfume? So, the oil represents a sensation then? A sensation of pleasure? Of release?
I'm not being argumentative, truly. Though you could say I'm taking it a bit too seriously. I'll accept that. Granted, it's just scented oil. And marketing. I guess I went into this with a certain amount of doubt. I'm coming out of it with a feeling (a lot like certainty) that the only creative expression that could potentially do the moment justice is music. But that's another, um, essay.
Again, I think it's great that Beth is attempting these things. At worst, she'll produce some wonderful oils that give people a great deal of pleasure. At best, for someone, this may put them in mind of a lovely moment.
None of this will prevent me from trying other oils with similar themes, like O, Wanda, Perversion, etc. I'm certain I'll find one that, if not exactly putting me in the moment, will at least put me in the mood.
added to forum reviews
scent is a strange thing -- 2
Hell's Belle
in the bottle: Fruity and musky, with a background of some warm spice, like cinnamon or clove.
on wet: Musky floral. Puts me in mind of something like Opium or Poison. I'm not saying the scent is similar, but that it gives me a similar feel. I liked it better in the bottle.
drydown: A minute later and the scent is already back to fruity, or at least, it has gotten significantly sweeter but not in a bad way. This really reminds me of Poison. My current impression is that I like it, but ... hmmm. I'd call it sexy, but almost too in-your-face sexy, which is definitely nothing like me. I don't think that anyone who knows me would call me sexy, not even sensual, more ... reserved. Granted, part of the allure of perfume is stepping outside one's own skin for a short time, but this is too much like wearing someone else's clothes.
one hour later: Cloying. I don't think the scent has changed, more like my nose is overwhelmed, saturated. This really isn't for me. I won't be aging this one to see if it morphs.
end of day: Never made it. Had to wash it off after an hour or so. This scent was literally exhausting to me. It wore out my nose, wore down my mood, and left me feeling ragged and tired.
compared to official description: "Thick" is a good word for this: It almost literally weighed down my wrists. At the very least, it weighed me down -- made me lethargic right to my core.
I've never smelled a scented magnolia blossom, so don't know how to pick that out of the mix. I'm sure I've never smelled oleander straight either. I just looked up oleander, and assuming it's Nerium oleander, it's supposed to be an exceptionally toxic plant, which I find interesting. I wonder if Beth picks scents for their historic or mythic character as well as the actual scent. Probably. Almost certainly, I think.
notes: Heady. Not for the timid or restrained. This one needs a big personality and a desire to disturb the serenity of nearby males. Definitely not me.
added to forum reviews
run-up to my first reviews
Coyote
in the bottle: Strong, but not oppressive musk (light); very familiar, almost soapy background -- amber?
on wet: Amber, I think, almost 100%.
drydown: Mostly amber. Slightly soapy musk, not unpleasant; this is a scent that suggests warmth and would be an excellent "enhanced skin" scent for someone. (Not me.)
one hour later: Warm and sweet. Musk and amber. Some other very subtle but warm and ... airy? light? dry? ... scents.
end of day: Amber, period. On me, soap.
compared to official description: My nose probably isn't good enough to identify subtle woods and grasses. I will say that there are definitely elements other than amber and musk, but whatever they are, they're very close in scent temperament to the former two, and I can't break it down into individual notes. if there's wood, it's very harmoniously combined and disguised by its neighbors. Near impossible for me to pick out anything individual, but after the drydown and through the first part of the day I detected something slightly spice-like in a non-foody way. Cinnamon? Vanilla? (Or coumarin, perhaps -- as in dry grasses; just a guess.) FWIW, the warm sweetness strikes me as more feline than canine. Canines, to my nose, have a drier, muskier scent.
Also, no hint of doeskin, which I will assume is meant to be a light leather scent.
Having said all that, I'll say again that the stated elements may well be there in enough quantity to affect the character of the oil, but I'd need to smell Coyote sans doeskin before I'd be able to properly state my opinion of how things like doeskin (dry grasses, soft woods, etc.) work for the whole. Right now, it's a homogeneous mix that, for me, defies dissection.
notes: I think I tend to read amber-based scents as soapy or powdery depending on the surrounding scents.
ETA: Months later, I've tried Coyote again and I get a different impression. On my wrists, recently dried, it's still very much amber with dry wood, but in the bottle it smells completely different than it did the first time: Now I get light leather and hay-like scents very strongly, with a little amber underneath.
added to forum reviews
Velvet
in the bottle: Cocoa! Dutch-processed with a touch of vanilla. Hint of sandalwood. Something (or some things) else that I can't identify: smooth, a little smoky, a little sweet. Also, a creamy sensation, maybe the vanilla again.
on, wet: Cocoa and a bit of sandalwood. After about 10 seconds, strong suggestion of smoke.
drydown: This will sound strange, but my left wrist retains the cocoa scent, where my right has gone completely smoky. And not just a little smoky, but full on sitting-in-front-of-a-wood-fire smoky (with a hint of vanilla). The cocoa-y vanilla scent on my left wrist is starting to seem a little food-like to me. Overall, I prefer the smoky effect.
one hour later: Sandalwood and vanilla, both wrists. A ghost or two of scents in the background, but almost completely hidden by the sandalwood.
end of day: Sandalwood and vanilla. Enduring scent, not unpleasant, but nothing like what I smelled in the bottle or through drydown. There remains a hint -- just a suggestion, really -- of other scents way in the background that are completely homogenized, but which lighten the sandalwood and give it a certain dusty sweetness.
compared to official description: Not sure I'd recognize myrrh, as I'm positive I've never smelled straight myrrh, and would therefore have trouble picking it out of a lineup. I know the lab doesn't necessarily list every component, but as the only three listed are sandalwood, cocoa vanilla, and myrrh, I'm wondering if the myrrh carries the smoky effect, since that's the only thing in this blend that stands out to me other than the other two listed.
notes: Not for me. Smells like a my paternal grandmother's house, somehow. In fact, I get a strong scent-memory of being put down for a nap as a very small child on my grandmother's bed, and drifting off to sleep with the faint drone of nearly-inaudible adult voices drifting up the steep, narrow stairs and slipping under the thick, dark, heavy wood door. Pleasant, but I'd want my house to smell this way, not me.
afterthought: I was initially disappointed that this perfume didn't retain its original character, but after rereading my description I realized that there's no reason velvet should smell like cocoa. In the end, I believe the cocoa stayed there but hovered in the distance to give the whole thing a bit of smooth dryness, and that some other element, in addition, pushed the effect over to dustiness. While the hours-later effect was very different from what I smelled straight out of the bottle, I'd have to classify the later scentsation as being more akin to how I'd define velvet (from an olfactory standpoint), since velvet (the fabric) makes me think of dusty places and the satiny-smooth skin of my grandmother's cheek. In the end, this could very well be velvet, at least for me.
added to forum reviews
what I have
Coyote
Hell's Belle
La Petit Mort
Dirty
Zephyr
Strangler Fig
Darkness
Shub-Niggurath
Embalming Fluid
Dracul
No. 93 Engine
Antikythera Mechanism
Centzon Totochtin
Perversion
Mary Read
Les Infortunes de la Vertu
Dragon's Hide
The Apothecary
Lightning
Queen of Hearts
Ava Maria Gratia Plena
The Reaper and the Flowers
Hairy Toad Lily
Lilium Inter Spinas
Dragon's Milk
The Last Squished Jellybean
Czernobog
Tenochtitlan
Thanatopsis
imp order and frustration
Darkness
in the bottle: Clean scent, some kind of wood. Slight smokiness. Pleasingly warm and dry in a resinous kind of way. Something smooth running behind.
on wet: Incense. More incense. Truly, incense. But somehow not obnoxious.
drydown: Still wood-y. Still incense, with a hint of sweetness behind; a kind of fresh, floral sweetness that isn't perfume-y, but more warm and heady.
one hour later: The slightly resinous, dry quality has returned, but I can't pin a scent on it, it's more of an impression. The light but warm and heady floral is still there. This is turning into what I would think of as perfume in a more classic sense, but not like any perfume I've smelled before.
end of day: Dry, resinous floral, with the floral barely in evidence. The dry quality is more pronounced, to the point of making me feel like I have a catch in my throat. Gives me the urge to drink water. I believe that the dry, resinous quality comes from the same component that I was reading as smoky while still in the bottle.
compared to official description: I don't get the morbid bleakness suggested by the official description; but then again, I'd be hard-pressed to describe the smell of oblivion.
notes: I'd have to say that, overall, I like this, but being ridiculously picky, I'm not convinced I want it. It doesn't scream "wear me!"
I commented in my last review that I don't know the scent of myrrh well enough to identify it. I wonder now if the slight smokiness I smelled in the bottle would be the myrrh, since Velvet had a smoky quality to me and also contained myrrh. Having said that, the smokiness wasn't pronounced, and may have snuck in later as more of a dry warmth.
A number of times during the day when I was moving around I picked up a wafting scent which made me think of a faintly sharp, non-spicy lily, but I could never smell it on my wrists, only when my hands were moving around at a distance. Except for the odd waft every now and then, this stayed exceptionally close to my skin, but didn't fade completely. Another potentially good second-skin type scent I think, but not for me.
ETA: This one is really variable on me. At certain times (ahem), like when I reviewed, it's too strong and floral. The rest of the time, that wonderful smokiness really comes through and it becomes a scent I enjoy. I'm waiting on receiving and testing the dozen imps currently on order before I decide to get it, though. This is close, really close, but I'm thinking that if I can get this close, I can get even closer. I have high hopes for some of the oils described as smoky now.
ETA, again: I mixed the whole imp with a vanilla-based after-bath oil and got something that makes me feel naked in my clothes. After I've spritzed and smoothed it, I get the urge to ruuuuub against everything, like a kitty demanding affection.
added to forum reviews
scent is a strange thing -- 1
Zephyr
in the bottle: Perfume. This is the first BPAL scent I've smelled that immediately put me in mind of traditional perfume. Feminine. Floral. Strong sandalwood, but without the sense of dryness I usually get. I definitely smell lemon verbena and a strong but light musky component. Bergamot -- one of my favorite scents. I'm a bit put off by the overall perfume-y-ness of it, but I'll give it a go.
on wet: Immediately, the sandalwood and musk are dominant; all the other scents drop away completely.
drydown: Sandalwood and vanilla. A really nice vanilla. I don't know if this is a special type of vanilla or if it's just being affected by the surrounding components, but it's a dry, non-sweet vanilla which I like very much. Oddly, the sandalwood is already not as strong, which is counter to my past experiences with sandalwood (where it usually becomes the dominant -- if not only -- component throughout the scent life of the oil or perfume). No hint of bergamot left. :love!:
one hour later: Okay, still a perfume-y perfume, but not offensive. I'm getting a whiff now of the neroli (one of the few floral scents in real life that doesn't give me a headache). Also, this is the first one I've tried that has throw. That sort of makes me want to wash my wrists, but I'll tough it out.
end of day: Light floral.
compared to official description: Simplistically, the throw on this one does make me think of breezes, especially the type that waft the warm scent of Philadelphus blossoms across the yard (nice match to the description since, for us, Philadelphus blooms in late spring, so ... spring breezes). If "white scent" is supposed to mean light and non-heady, again accurate. I would've thought that sandalwood would immediately make a scent not light, but I see that it's described as "white sandalwood." I'm not sure what that means, but it's clearly a completely different scent than the one I'm used to.
notes: Lagniappe. Not one I would have thought to try because of the floral component. I'm glad the lab throws these in because I do allow myself to be dissuaded by a description. This forces me to take a chance, for better or worse.
It's a very pretty but light floral. Very much a perfume. I can see the appeal if you like this sort of thing. Overall, it isn't me. It leaves me feeling fragile and withdrawn -- not sensations that I enjoy.
added to forum reviews
scents destined for a locket
Darkness -- actually, I've already decided that it works on my skin, but I like the out-of-the-imp scent better
Embalming Fluid
La Petit Mort
The Antikythera Mechanism
Velvet
Strangler Fig
in the bottle: Thickly sweet with a green undertone. The sweetness reminds me of root beer.
on wet: Still sweet and thick. Mostly just sweet. The green note has disappeared.
drydown: Still sweet. A touch of powderiness.
one hour later: I really want to wash this off. There's a heady sensation that makes me think of walking into a too warm, enclosed space where there's a lot of greenery, like an orchid hothouse. I'm not saying it smells like orchids, just that I get a sensation of a scent that might be enjoyable if smelled faintly blowing on a breeze, but which is too much, almost claustrophobic, on. Makes me want to throw open the windows.
end of day: Didn't make it to the end of the day. Washed off.
compared to official description: I don't know what rooty smells like, unless you're referring to spices; though I did get a sense of rootbeerishness, so maybe there's a sassafras-like element here. Woody? I'm sure there's an element of that here, but it doesn't stand out. Mostly I get a powdery sweetish green. Heated, heady, thick.
notes: This had throw on me, in the worst possible way. Take that with a grain of salt: If it were a scent I enjoyed, I might not mind the throw so much (though I don't like throw in general).
Lagniappe. Definitely not one I would have thought of choosing myself. The dice didn't roll so well on this one.
added to forum reviews
Dragon's Milk
Okay, after an embarrassing absence, I'm back to fulfill my obligations as a BPALer.
in the bottle: I haven't researched to see what Dragon's Blood is, but I've learned to associate it with a strangely mellow/spicy/sweet scent that resides somewhere near the intersection of amber, cinnamon and almond -- at least to my nose. This is that, with a kind of creamy, smooth undertone.
on wet: Exactly the same as in the bottle.
drydown: The sweetish component (almond-y) and the creamy component have come to the fore. I get the amber-like scent too, which (as amber always does) reminds me of soap.
one hour later: This has mellowed out to a lighter version of what I smelled in the bottle, which is interesting to me; this is the first BPAL fragrance I've smelled that is, on me, exactly what it seems to be initially -- all the rest change, many dramatically.
end of day: Light, sweetish, mellow, creamy, hint of spice.
compared to official description: The creamy/smooth component has to be the vanilla, but it doesn't stand out to me as vanilla; perhaps that has something to do with the "honeyed" component. [Edit: In the end the vanilla did stand out. I'm not sure this is a vanilla that I'm fond of -- a little too ... I don't know. I can't really describe what it it that I don't like about it.]
notes: I would call this scent "not me", or at least atypical of scents I like, but there's something about it that appeals to me. Jury's out. I'll have to try it again later.
added to forum reviews
Holy Christmas, Batman!
Embalming Fluid
in the bottle: Nice. Iced tea with lemons.
on wet: Lemon.
drydown: Lemon. There's an undertone of something that's probably the aloe (unless there are ingredients not listed).
one hour later: Lemon.
end of day: Gone.
compared to official description: I'm not sure how much the white musk contributes. I'd have to smell it as a single-note to determine where it fits into the whole.The green tea is definitely there, at least initially. But the lemon: my, my. Move over, lemon is here.
notes: Stayed very close to my skin and didn't last for more than a few hours. Barely a whiff after even an hour. The tea (and everything but the lemon) faded after application. Oddly, when I left the room and came back, I picked up a ghost of a tea smell where I had been, but I could never smell it on me (only lemon).
I actually like it, but the almost one-note lemon had me thinking of furniture polish before too long. It's probably a fine balance on others, but I seem to have blown the lemon out of proportion. Nice idea, but ... maybe a good room scent.
added to forum reviews
Shub-niggurath
in the bottle: Dried baking spices, heavy on the ginger, with a musty, cloying, almost rotted smell, like not-quite-fully-decomposed mulch.
on wet: Ginger, ginger, ginger, spices, dirt.
drydown: Cinnamon red-hots, ginger, dirt.
one hour later: Cinnamon red-hots, ginger.
end of day: Didn't make it.
compared to official description: I'm guessing the combination of dark resins and ritual herbs gave me the composted plantlife smell. I don't know which spices are considered aphrodisiacal, but nothing in here did a damn thing for me. I got a strong cinnamon component later (not like dried cinnamon powder, but more like cinnamon extract), and I can see someone arguing that cinnamon is an aphrodisiac. Again, not so much.
notes: To my scent aesthetic, this is ugly, if a scent could be called that. Not unpleasant, off-putting, unappealing or unapproachable, just ... ugly.
Understand while you're reading this that that statement is not meant as a hit on Beth's skill. I'm an artist, and I know what it's like to have people love, shrug at, and seriously dislike your work. I know the pain of planning, testing, refining, and slaving over an idea, pouring too much of yourself into it, then getting ... well ... stepped on. Beth, I have no reason to believe that you'll ever read my blog, but if you do, please understand that I completely admire what you've done for yourself, and I respect your courage and efforts. You know from reading other people's responses that you've given a great deal of pleasure to many. I can only describe my experiences the way I experience them. Please don't take it too much to heart.
added to forum reviews
The Antikythera Mechanism
(second review)
Round 2: I tried this again, and all my initial impressions are there, but it didn't go right to powder this time; instead, it just faded out completely. Still not ideal, but better than a baby's butt. I still have a sense of wood, vanilla, and something oddly cocoa-y (which, with more concentration, I can now say is definitely the tobacco). I do like this one. Medium like, not omg-gotta-have-a-gallon like.
Seems like I said this somewhere else in this blog, but I really think that the ones that go to powder do so over clean, dry skin -- meaning little body oil and no lotion. I have several lotions and they're all fragrance-free, so I have no excuse not to layer oils over lotion, and I'm wondering if that's the only way to get a real sense of what these oils are like (at least on my skin). I have to believe that it would make a difference. Having said that, I also have to believe that there would be just as much a difference between the scent produced over skin softened by my own body oil as opposed to skin softened by lotion. One is full of, well, I don't know how to put it, but the essence of me, essentially. The other is just a barrier and a carrier. Really didn't mean to rhyme that.
It's sort of a moot point, as I've reached an age where oil production has slowed and I have dry skin most of the time. So, lotion it is.
in the bottle: Dry wood and vanilla -- a very warm, smooth, non-sweet, non-foody vanilla. Luscious. I want to pour it over my head, let it run over my whole body, then drink the last dregs. Yum!
on wet: The vanilla really stands out now. It has changed to something that reminds me of dry cocoa, but still definitely not sweet. Something in this is modifying the vanilla and giving it a powdery effect.
drydown: Powder, faintly vanilla-y. This has gone from "yum" to "after-bath powder" in ten minutes flat. I can see how this might work on someone else, but unless this does some kind of miracle morph, I think the experiment's over.
one hour later: After an hour of powder, I decided to force the issue. I layered "No. 93 Engine" over the top. Now that five minutes has gone by, I can say with certainty that this move was a mistake. Something about the combination smells almost rancid, and all the nice warm notes have gone all jumbled and icky. Oof. Time to scrub.
end of day: Didn't make it.
compared to official description: I wasn't picking up the tobacco outright, but I'm sure it was modifying the whole. I think I'd prefer to pick out the tobacco as a separate and distinct scent.
notes: I'm really disappointed -- not in the scent, but in my skin's reaction to it. I had high hopes for this when I smelled it in the bottle.
added to forum reviews
Mary Read
in the bottle: Boozy and sweet; rum and sarsaparilla. An undertone of something sharp. Bizarrely, this reminds me strongly of Velvet, Centzon Totochtin, and Dracul -- yeah, all three.
on wet: Sweet, a little boozy.
drydown: Sweet warmth with a touch of creamy soap. The soap makes me think of an old soap-on-a-rope my dad got as a gift when I was a child but never used (left hanging, untouched, on the shower head to scent the whole bathroom for about 10 years). Maybe the patchouli? The warmth has a kind of spiciness to it, otherwise, it's almost impossible to describe. Just, warm. This ... this almost smells like warm skin to me. Wow. Could this be my first brush with a skin-only-better scent? But there's a hint of something sharp and a little off-putting. Damn, damn, damn. So close.
one hour later: I'm getting a warm, clean scent, like nice laundry detergent and fresh air; a "hanging the laundry on a warm summer morning" kind of scent. It's not a bad thing, but I miss the boozy-ness.
end of day: Same as "one hour later" assessment.
compared to official description: It's hard to tell what's going on here. The leather, musk, and/or gunpowder may be conveying the warmth, but I can't pick any of them out of the mix so it's difficult to determine how they're contributing. Or maybe the gunpowder was the unpleasant sharpness (that seems unlikely as I like the smell of burned gunpowder). I'm not familiar with aquatics in general, so maybe it's the "salt air" and "ocean mist" that were off-putting to me.
notes: This is a really tough scent for me to pick apart; most of it I like very much, but it has an element that I find disagreeable right up to the point where all the elements I really like morph completely, at which point the off-scent fades too, but I'm left with fresh air and laundry detergent. Bummer.
added to forum reviews
Les Infortunes de la Vertu
in the bottle: This is the first leather-based scent in which I smell the leather right off the bat. I like. Leather, amber, incense. Comforting. Calming. Sensual. I can say with utter certainty that I long to be surrounded by this scent. Whether it works on me remains to be seen.
on wet: Still leather, amber, and incense. No hint of florals.
drydown: I'm already losing the leather and going to almost straight amber with a hint of incense. I'm starting to think that I need to research oils without amber, as I seem to amp it to the point of no return. I don't dislike the scent of amber, I just don't want it to be the only thing I smell, and on me, amber doesn't play well with others. Though I usually really dislike florals, the almost one-note-ness of the amber now makes me long for the scent of florals just to break it up.
one hour later: I washed my hands a couple of times for food prep and lost most of the scent, so I reapplied. On second application I get the leather more strongly immediately after application. After the second drydown I'm still smelling mostly amber, but I have to admit that, although my nose isn't pulling scents out that I can identify, there's definitely more to this than amber. The primal part of my brain, the part that has no use for words, is feeling comforted, safe, and amped -- aware, from the top of my head to the tips of my toes. I feel like I'm wrapped warmly in the arms of a strong man, listening to his quickened heartbeat. Flippin' amazing. Beth, I worship you.
end of day: The most sensual phase of this oil only lasts about ten or fifteen minutes on my skin. I like it overall, definitely. I really like it in the bottle and absolutely love it for the first ten minutes on my skin. I have to declare this a winner, but I'm going to have to try it simultaneously on and in a locket to get the full effect, I think.
compared to official description: I don't pick up any of the florals, which is probably a blessing. I definitely think they're there, but only evident in the in-the-bottle stage, where they add to the whole without standing out. That's really amazing to me, as florals always seem to go straight to the top of the heap when I'm wearing them, whereas here they fade completely out. I was very afraid to try an oil with rose listed, as I've had rose-based scents go cloying (and rotting) on me before, but ... this oil can do no wrong.
notes: I should add that this seemed masculine to me at every stage, but that only increases my enjoyment. It makes me want.
added to forum reviews
No. 93 Engine
in the bottle: Smoky and sharp, resinous, metallic. I can smell beeswax and something reminiscent of Vicks VapoRub (not a bad thing). The rest of the scents are strong and completely meshed -- I can't pull them apart. An assertive scent. Masculine. I like.
on wet: Metallic Vicks, with strong, skin-like warmth underneath. The sharpness has faded, and my impression is now of a more gender-neutral scent. Definitely strong resinous undertones -- makes me think of sticky, hardened sap.
drydown: The Vicks has moved to the back, leaving me with a lovely warm scent which is, unfortunately, going a bit incense-y. I'm guessing the frankincense is asserting itself. Less than an hour later: Frankincense and other components have combined in exactly such a way as to make this scent a hybrid of headshop and candle store. I not like.
one hour later: Straight incense. I'm going to wash this off. I really don't like strong incense smells, not even in a room scent. Other oils have given me different impressions when tried again later, so I'll give this one another shot on another day.
end of day: Didn't make it.
compared to official description: There are a lot of components to this oil that I'm not familiar with. I have to rely on general impressions only, because I can't say "the calamus stood out" or "the balsam of Peru supported the rest", since I'm not familiar with those scents (or half the ones listed, actually). I got wax, frankincense, benzoin (the Vicks smell), something like warm skin, and a melange of indescribable scents that fused into a strong, sharp, warm, pleasant whole in the bottle, but that went almost pure incense on my skin.
notes: This one would definitely work in a locket. I'm not tempted to get a bottle, but I'll keep the imp.
added to forum reviews
The Apothecary
in the bottle: Tea and herbs. Nice, actually. I'm hoping the tea scent lasts longer for me in this than in Embalming Fluid.
on wet: Mostly tea. The herbs have gone.
drydown: This is interesting. The tea no longer stands out enough to distinguish; instead I'm getting a well-meshed clean scent that reminds me of having just stepped out of a shower after using a nice, expensive, french-milled herbal soap. It doesn't smell soapy, just clean. Seriously -- clean. If I had to define the scent of clean skin with a scented oil, this would be exactly it.
one hour later: Still clean, though there's some light sweetness asserting itself. I don't think it's a particular component (or maybe it is -- perhaps the fig?), but rather the sum of the whole. The whole thing is very light in a way which makes me think it might not last the day.
end of day: Still here. The herbal effect went away and left me with a sort of light, sweet tea thing. Not sweet tea as in sugar added, but more like a cup of non-tannic, delicate tea with ... or, near ... it's really hard to describe. Just ... sweet. And light.
compared to official description: I didn't really get the ginger, which is a shame. I'm thinking now that the fig contributed to the sense of sweetness, but I never once thought "Oh, that's fig!"
notes: The final result was a tad too sweet for me. I like how light it was, though. This might be a good one for the locket.
added to forum reviews
so I ordered a scent locket
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