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Always Halloween and Never Thanksgiving

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Halloween 2020, Day 24

In the past I’ve suggested some terrific podcasts that are perfect for this spooky season, and I stand by those recommendations. Read my past list here! In addition, just a few days ago Emily Stein contributed this list to CrimeReads: “8 Great Horror Podcasts and Their Spookiest Episodes!” Happy listening! Now here are several podcasts that are either new or new to me in 2020, and I highly recommend them!
1. Monster, She Wrote: Scholars Lisa Kröger  and Melanie R. Anderson are the authors of a book I thoroughly enjoyed, Monster, She Wrote, and now they are co-hosts of this wonderfully insightful and informative podcast about women in the horror genre. Don’t miss it! 
2. The Goth Librarian: Goths and librarians are two of my favorite kinds of people, and here’s a host who’s both. What’s not to love? “The Goth Librarian Podcast is a weekly podcast covering true crime, oddities, urban legends, haunted places, and other dark peculiarities.” Episode 37 on the “Spanish Flu” is a timely and topical place to start.  3. Bone & Sickle: This podcast “is a celebration of the intersection of horror, folklore, and history.  Every episode offers a bounty of frightful tales, fantastic legends, and macabre historical anecdotes harvested by eccentric artist, collector, and rogue folklorist Al Ridenour, author of The Krampus and the Old, Dark Christmas.  Co-host to the show is Sarah Chavez of The Cabinet of Curiosities and Death in the Afternoon. With acerbic wit and a scholarly penchant for the grotesque, Ridenour delves into a wide but carefully curated range of topics that have included: Faust’s deal with the Devil, classical necromancy, murder ballads, ghosts ships, the Victorian obsession with Pan (and mummies), Basque witchcraft, the evolution of gothic vampire literature, and tales of saints carrying their heads after decapitation…” Thanks to Aaron for this excellent recommendation! 4. The Strange and Unusual Podcast: I’ve just started listening to this one, and I’m hooked: “The unknown, it lies at the root of all fear, and has inspired legends, folklore, superstition, mythology, and even murder throughout history. Still today we feel the shadowy presence of our ancestors’ struggles to explain the mysterious in our lives, as we continue to keep fighting to keep our monsters in the dark. Welcome to The Strange and Unusual Podcast, a podcast with a focus on dark history.” 5. The Tomb with a View: This is another recent discovery for me. The official description goes like this: “A podcast about the history, preservation, and culture of American cemeteries hosted by Liz Clappin.” If you’re looking for a good starting place, I recommend the recent, insightful, and timely Episode 54: “Constantly Looking Back: The Gallows Hill Project, the Salem Witch Trials Memorial, and Giving A Voice to Innocent Victims”: “Looking at how memorials can give a voice to innocent victims and how good historical research can help us to look back and understand what was previously unknown important facts about the past. The Salem Witchcraft Trials of 1692 are still being learned about and interpreted today as we continue to come to terms with our difficult past.” And here are some of my favorite Halloween-appropriate podcasts that were new in 2019 and remain very much worth exploring! 1. Odd Things I’ve Seen: For years, I have recommended J.W. Ocker’s brilliant Odd Things I’ve Seen website, and now he has a podcast. As he explains, “I visit odd things, I tell their stories, and I tell you how to find them. It’s Odd Things I’ve Seen, but out loud.” Gothic, macabre, and spooky! 2. Ladies of Horror Fiction Podcast: “Ladies of Horror Fiction was created to bring about a multi-dimensional way to support women who either write in the horror genre or review in it.” Check out Episode 2 for “The History of Halloween, Vanishing Hitchhikers and Weeping Widows”!
3. The Full Price Podcast: “The Full Price is a podcast that takes a cultural journey, walking in the shoes of the legend of stage, screen and sound, Vincent Price.” Price is perfect for Halloween, and this podcast is perfect for Price fans! *** Parting thought for the day: “I’m so glad I live in a world where there are Octobers.” — L.M. Montgomery, Anne of Green Gables (1908)

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Happy Halloween 2020!

The day is here, my friends! We made it! Happy Halloween, Happy Samhain, Happy soon-to-be Día de los Muertos, and Happy…. Anything that Makes You Happy!  Thank you for joining me in my month-long holiday celebration. I truly hope you’ve enjoyed it. I have! (Source is “A Halloween Party! 1907″ by Yesterdays-Paper.)   Everyone, please stop by here, grab a virtual latte or cider or hot cocoa, a candied apple or some roasted pumpkin seeds, or even a goblet of blood and a plate of brains, and say hello!
Since many of us are at home due to the pandemic this Halloween, here is a way for us to enjoy some truly spooky and fascinating destinations safely (from Cult of Weird): “10 Strange Places You Can Explore Virtually.” Check this out!
(Source is “Hope Owl’s Well On Halloween" by Yesterdays-Paper.)
Let’s close with an excerpt from “Hallowe’en” by John Kendricks Bangs (1919). You can read the complete poem here.
(Source is “Halloween Greeting” by Yesterdays-Paper.)
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Halloween 2020, Day 20

This year I took part in the Ladies of Horror Fiction anniversary mini-readathon, and one of the titles I’m very glad I selected was Harrow Lake by Kat Ellis (2020). This young-adult Gothic tale is a chilling and effective love letter to cult horror films and those who obsess over them, wrapped inside of a toxic family mystery, and topped with a clever framing narrative that pays off immensely in the end. Ellis allows her heroine self-discovery and hard-won empowerment and a realness I found to be very compelling. I would’ve devoured this with relish as a teen; as an adult, I thoroughly enjoyed every single line. Highly recommended! Here is the official description: “Lola Nox is the daughter of a celebrated horror filmmaker–she thinks nothing can scare her. But when her father is brutally attacked in their New York apartment, she’s quickly packed off to live with a grandmother she’s never met in Harrow Lake, the eerie town where her father’s most iconic horror movie was shot. The locals are weirdly obsessed with the film that put their town on the map–and there are strange disappearances, which the police seem determined to explain away. And there’s someone–or something–stalking her every move. The more Lola discovers about the town, the more terrifying it becomes. Because Lola’s got secrets of her own. And if she can’t find a way out of Harrow Lake, they might just be the death of her.”
Ellis definitely has a wonderful way with words. Here’s an example.
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Halloween 2020, Day 25

(Photo source is “Witch Girl 2″ by HauntingVisionsStock.)
Horror during a horrible pandemic? These links suggest that the one may help us cope with the other. I know my heart has been broken to pieces during this tragic time, and I’ve instinctively been seeking out horror to read.  Ellie Marney at CrimeReads explains “Why We Read Scary Stories During Covid.”  From Kayleigh Dray for Stylist: “Coronavirus: the psychological benefit of watching a traumatic horror film.” From Michael Marshall for New Scientist: “Horror Fans Are Better at Coping with the Coronavirus Pandemic.” From Corinne Sullivan for PopSugar “12 Sci-Fi Books About Pandemics That You Won’t Be Able to Put Down.” Earlier this year, I devoted one of my “Looking Back on Genre History” segments on the StarShipSofa podcast (Episode 613) to “Four Science Fiction Novels to Help Us Think about the Pandemic,” and you can listen to that here.  Here’s a favorite quote from a favorite novel, one I reference in the podcast segment above: The entirety of Jack London’s The Scarlet Plague (1912) is available online at Project Gutenberg. Here is an excerpt: - Jack London, The Scarlet Plague (1912)
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Halloween 2020, Day 22

If you’re looking for a contemporary vampire read, Vampires Never Get Old: Tales with Fresh Bite is brand new, edited by Zoraida Córdova and Natalie C. Parker with stories by an all-star lineup of authors including Samira Ahmed, Dhonielle Clayton, Zoraida Córdova, Natalie C. Parker, Tessa Gratton, Heidi Heilig, Julie Murphy, Mark Oshiro, Rebecca Roanhorse, Laura Ruby, Victoria “V. E.” Schwab, and Kayla Whaley.   
If you’d like to sample a taste from the collection, Tor.com has a spooky excerpt from Rebecca Roanhorse’s story “The Boys From Blood River” here.
Enjoy a couple of eerie snippets. Now let’s go old school… From “The Giaour” by Lord Byron (1813). (Art is “Vampire” by akelataka.)

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Halloween 2020, Day 1

(Art is “Jack O Lantern” by TheArtistJW.)
It seems like 2020 hasn’t just been a year, it’s been a decade! The next few weeks won’t be easy, either. But I won’t let 2020 rob me of my very favorite holiday ― or of the chance to celebrate it with my friends throughout the whole of October.
This is the fifteenth year I’ll be counting down to Halloween with daily posts. I look forward to sharing quotes, images, links, book reviews, reading and viewing recommendation lists, and various creepy odds and ends with you. I hope you will consider every post a spooky moment of escape, a bite-sized treat (not a trick!) each day. (Source is “The Hooting Of The Owl” by Yesterdays-Paper.)
Because 2020 marks the 100th birthday of Ray Bradbury, it seems fitting to start this countdown with the words of that great October Ambassador himself.
So welcome to my October countdown… and welcome to the October country… Also… And… (Source is “Imps And Pumpkins” by Yesterdays-Paper.)
And from one of my very favorites, “Usher II” (1950)…

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This music mix is inspired by The Magic Ring by Baron de la...

This music mix is inspired by The Magic Ring by Baron de la Motte-Fouqué (1813, translated into English in 1825). Roughly half of the songs are authentic to the era in which the story is set, and two were written by historical figures who actually appear in the novel. I made this mix while editing this edition of the novel for Valancourt Books.
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Halloween 2020, Day 29

This year I took part in the Ladies of Horror Fiction anniversary mini-readathon, and one of the titles I read may be the best book I’ve read in… well, ages and ages: the Shirley Jackson Award-winning novella Wylding Hall by Elizabeth Hand (2015). A key word there is novella; if you’re looking for a wonderfully chilling read for the season that won’t take days to digest, there’s still time to devour this atmospheric, Gothic, folk-horror beauty. (My 2021 plans now include reading lots and lots of books by Elizabeth Hand!)  Here is the official description: “When the young members of a British acid-folk band are compelled by their manager to record their unique music, they hole up at Wylding Hall, an ancient country house with dark secrets. There they create the album that will make their reputation, but at a terrifying cost: Julian Blake, the group’s lead singer, disappears within the mansion and is never seen or heard from again. Now, years later, the surviving musicians, along with their friends and lovers—including a psychic, a photographer, and the band’s manager—meet with a young documentary filmmaker to tell their own versions of what happened that summer. But whose story is true? And what really happened to Julian Blake? ”
And here is a brief excerpt, to give you a sense of the atmosphere.  - from Wylding Hall by Elizabeth Hand (2015) 
I discuss this novella in my recent Halloween-themed “Looking Back on Genre History” segment on the StarShipSofa podcast, October 2020′s Episode 645, which you can listen to here.
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Vernon Press - Call for Book Chapters: Edited volume on Star Trek and Star Wars

Vernon Press - Call for Book Chapters: Edited volume on Star Trek and Star Wars: Call for Abstracts Edited volume on Star Trek and Star Wars Edited by Emily Strand, MA and Amy H. Sturgis, PhD Vernon Press The generations-spanning, multimedia franchises Star Trek and Star Wars will form the focus for this edited collection of scholarly essays. As venerable and evolving repositories of science fiction and fantasy storytelling, and as towering pillars of popular culture, both Star Trek and Star Wars inspire, transform, and even at times inflame their often overlapping fan bases. Together with the publisher, the editors seek proposals for essays exploring these franchises’ themes, narratives, characters, treatment of moral and philosophical dilemmas, religious or spiritual notions, and other aspects. (Abstracts for essays which compare or contrast the two franchises are also welcome.) Collected essays will offer insight — from a variety of disciplines and perspectives — on how these franchises contribute to popular culture and the tradition of speculative storytelling. Abstracts and subsequent essays should be academically rigorous yet accessible to the informed (even non-academic) reader. Abstracts of 300-500 words in length should be submitted, along with a brief biographical statement, by August 2, 2021. Authors of accepted papers will be notified by September 1, 2021, and paper drafts should be submitted by January 10, 2022. More information is here.
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<p>Now that Anna Torv’s great work on <i>The La...

Now that Anna Torv’s great work on The Last of Us is encouraging some folks to (re)discover the brilliant series Fringe, I’m reminded what a delight and joy it was to contribute the essay “In Search of Fringe’s Literary Ancestors” to Kevin R. Grazier’s anthology about the show, Fringe Science: Parallel Universes, White Tulips, and Mad Scientists. ALTALT
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Ring Out The Old, Ring In The New

Thanks to all of you for your friendship throughout this past year. Here’s to making the new year a much better one! Happy 2021! Ring out, wild bells, to the wild sky, The flying cloud, the frosty light; The year is dying in the night; Ring out, wild bells, and let him die. Ring out the old, ring in the new, Ring, happy bells, across the snow: The year is going, let him go; Ring out the false, ring in the true. Ring out the grief that saps the mind, For those that here we see no more, Ring out the feud of rich and poor, Ring in redress to all mankind. Ring out a slowly dying cause, And ancient forms of party strife; Ring in the nobler modes of life, With sweeter manners, purer laws. Ring out the want, the care, the sin, The faithless coldness of the times; Ring out, ring out my mournful rhymes, But ring the fuller minstrel in. - Alfred Lord Tennyson, “Ring Out, Wild Bells”
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Halloween 2020, Day 27

- from We Have Always Lived in the Castle by Shirley Jackson (1962)  We Have Always Lived in the Castle is a novel that’s been following and haunting me ever since I first read it. It is included among these other great Halloween-relevant reading suggestions from James Pate at Sublime Horror: “Mid-century horror, a reading list.” 
And here are a few more atmospheric quotes for the day. There’s this: “I can’t help it when people are frightened,“ says Merricat. "I always want to frighten them more.” And this: “I was pretending that I did not speak their language; on the moon we spoke a soft, liquid tongue, and sang in the starlight, looking down on the dead dried world.”
And this: I thought that we had somehow not found our way back correctly through the night, that we had somehow lost ourselves and come back through the wrong gap in time, or the wrong door, or the wrong fairy tale. - from We Have Always Lived in the Castle by Shirley Jackson (1962)
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I’m excited to say that in Summer 2021, I will boldly go where no Signum University prof has...

I’m excited to say that in Summer 2021, I will boldly go where no Signum University prof has gone before! I will be offering the 12-week online class “Exploring Star Trek” for M.A. students and non-degree-seeking auditors alike. I’m delighted at this opportunity! I’m pleased to announce that we will have a very special guest at one meeting of the “Exploring Star Trek” Signum University class in Summer 2021: New York Times bestselling author Una McCormack! What a delight this will be! The catalog page for the “Exploring Star Trek” class is now available. See the link below! Exploring Star Trek
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The House of Night, Watchmen, and the Tulsa Race Massacre of 1921

In my latest “Looking Back on Genre History” segment on the new episode of the StarShipSofa podcast, I talk about Ray Bradbury’s concept of science fiction as a “reflecting shield” by discussing The House of Night, Watchmen, and the Tulsa Race Massacre of 1921. You can listen here. 
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Halloween 2020, Day 13

(Photo is “Shiver My Bones002″ by bjfrenchphoto.)   Today I want to highlight two excellent reading recommendation lists from Sublime Horror that are perfect for this spooky season, both written by a scholar whose work I follow with great enthusiasm, literary historian Melissa Edmundson. Here they are: 1) “Ghost stories by Victorian women, a reading list chosen by Melissa Edmundson” and 2) “Supernatural novellas by Victorian women, a reading list chosen by Melissa Edmundson.” This is an excerpt from one of the supernatural novellas mentioned in the second list, the ghost story Cecilia de Noël, by Lanoe Falconer (1910): The entire novella is available online here from Project Gutenberg.
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Halloween 2020, Day 30

(Photos above by Yours Truly. Plaster castings by Pumpkintown Primitives. The above are “1730s Lamson Death Head Plaster Casting” on top and “Plaster Casting Poole Stone 1754″ on bottom.)
Look no more for some perfect streaming music for this Halloween season!
Celebrating its 22nd year, “Out ov the Coffin” is hosted by the fabulous DJ Ichabod. What was born as a means of spreading dark and esoteric music to the Nashville area via WRVU, broadcasting from my graduate alma mater, Vanderbilt University (Go ‘Dores!), is now an spine-tingling and atmospheric podcast. Check it out for some perfect seasonal music! You won’t be sorry.
Here is the official description of the show: “’Out ov the Coffin’ is a specialty dark-music radio program, hosted by DJ Ichabod, designed to celebrate dark and interesting styles of music, from the goth perspective. Brand new entries are featured each episode, alongside older favorites and cult classics. Oft-featured sub-genres include: Goth, Gothic rock, deathrock, post-punk, darkwave, ebm, industrial, damnbient / dark ambient, dark metal, neoclassical, ethereal works, film scores, and theatrical experimentation.”
The time has come: The 2020 “Out ov the Coffin” Halloween Special is now available!  Here is the official description of the episode:  Listen to or download the special here! Pssst! Scroll through earlier shows to find past Halloween specials. Last year’s was brilliant! If you really want to party on (or like it’s) Halloween, you can play several Halloween specials back to back! DJ Ichabod’s regular shows also make for perfectly splendid spooky listening.  
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Halloween 2020, Day 15

(Artwork is “Coven” by  Sadist-Ka.)
― Helen Oyeyemi, White is for Witching (2009)
 ― Beth Underdown, The Witchfinder’s Sister (2017)
Relevant to both titles above, here is a reading recommendation list from Sublime Horror that’s perfect for the season: “Witches in fiction, a reading list chosen by Professor Marion Gibson.” This is another seasonal reading list from Margaret Kingsbury at BuzzFeed News: “13 Witchy Books That Will Keep You Spellbound.” Last, Erika W. Smith offers these suggestions for Cosmopolitan: “24 Witch Books That Belong on Your Bookshelf.” And here’s one more quote for your day:
 ― Katherine Howe, The Penguin Book of Witches (2014)  
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Halloween 2020, Day 16

It’s film time! Every year about this time I think about good Halloween films (not necessarily horror movies, and definitely not lame slasher pictures, but suspenseful, atmospheric films that put a chill up the spine) that are “off the beaten path” – that is, films that are independent, foreign, direct to DVD or VOD, or somehow under promoted, and thus might easily slip under the proverbial radar. Not the classics. Not the usual suspects.
I’ve already made a separate post in the past with recommendations of Anton Yelchin’s Halloween-friendly films, so I won’t repeat those here.
Now I have a few new recommendations to add to my list, based on this past year’s viewing. (We accessed nearly all of these via Netflix or Amazon streaming.) Here they are in reverse chronological order: Here are my 2019 recommendations: You Should Have Left (2020): This is a very effective troubled-family-on-vacation film, packed with layered characterization and psychological unease. The incredible chemistry between Kevin Bacon and Avery Essex makes a genuinely moving father-daughter relationship the heart of this film. It really works. 
American Hangman (2019): This is a powerful thriller with a lot of meaning. Even though Donald Sutherland’s genius is undisputed, it’s still stunning to watch him here. I’ll use the official description so I don’t give more away than I should: “Two men are chained up in a basement. The captor has cameras aimed at them and is streaming it on the internet – turning it into a ‘trial’ on the held, retired judge’s last court case. The viewers become the jurors.” The Color Out of Space (2019): This is an adaptation of one of my very favorite Lovecraft works, so I was braced for disappointment. Instead, this turned out to be one of our favorite films of the year. Sensitive, poignant, and genuinely scary, this film genuinely delivers on every level, including the pathos inherent to the story. I’m agnostic about Nic Cage – he doesn’t make or break a film for me – but his performance really worked here, as did that of the ever-capable Joely Richardson. It was delightful to see Q'orianka Kilcher and Tommy Chong in solid supporting roles, as well. Watch this one!    Doctor Sleep (2019): This is an adaptation of Stephen King’s sequel to The Shining. It’s not a perfect film, but it’s interesting and visually stunning and packed with able actors. (Five words: Zahn McClarnon as Crow Daddy. I can’t stress this enough.) I’m sure many would find this crazy, but if given the choice right now, I would rather watch Doctor Sleep again than watch The Shining again. So there.   In the Tall Grass (2019): Is this the best Stephen King (more accurately, Stephen King and Joe Hill) adaptation ever? No. Did I enjoy every minute spent lost in the grass maze with over-the-top Patrick Wilson? Yes. Yes I did. Your mileage may vary based on your level of Patrick Wilson appreciation. Mine is high.    Midsommar (2019): Yes, I know this isn’t an “under the radar” film, but we really loved it, so I wanted to take this opportunity to say so.   Ready or Not (2019): Dark comedies are often hit or miss for me, but this newlywed-hunted-by-her-evil-in-laws-in-Satanic-ritual romp is a definite hit, both clever and funny. Vivarium (2019): This science-fiction mind-game of a horror film messed me up and continues to haunt me, and I mean that in the best possible way. I knew nothing about it going into the film, and I think that was for the best. Highly recommended.
We Have Always Lived in the Castle (2019): This is a very well crafted adaptation of a novel by Shirley Jackson that I love. I was prepared to be critical, but the film thoroughly won me over with brilliant visuals and performances – Taissa Farmiga and Alexandra Daddario are phenomenal – and a screenplay that emphasizes how relevant this story remains. Read the book first, but then treat yourself to this movie.    Delirium (2018): This isn’t a great film, but it keeps the twists and turns coming, and it uses the unreliability of the protagonist’s hallucination-laden point of view to good effect. You really need to suspend your disbelief to swallow the “young man released from twenty years in a mental asylum into house arrest at his dead father’s mansion” premise, but once you’re there, the oppressive isolation and sense of unreality are worth your time.    The Wind: Demon of the Prairies (2018): This slow-burn Western plays on the horror and desperation of solitude – especially for settler women – on the frontier. Women’s points of view are highlighted here in a refreshing and chillingly effective way.
Lost Child (a.k.a. Tatterdemalion) (2018): We were really enchanted and moved by this work of “hillbilly Gothic” or Ozark folk horror. When a combat veteran returns home with the scars of war on her psyche, she encounters a boy in the woods. Is he a lost child in need of her help, or is he the tatterdemalion of local lore, a demon who wants to feed on her very life? This is a quiet, haunting, compelling story of pain, superstition, and the people who fall through the cracks. 
Voice from the Stone (2017): This is a classic old-school Gothic film of the “new governess for troubled child after mother’s death” mold, and it delivers all of the lush atmosphere, claustrophobia, and passion needed. This is a beautifully disturbing movie. Kudos to Emilia Clarke for her compelling performance.   Bone Tomahawk (2015): Why on Earth did I wait so long to watch this Western horror film? More Patrick Wilson, more Zahn McClarnon, both tremendous pluses. Outstanding Kurt Russell content. Genuinely scary and less gratuitously gory than I’d feared.  Lake Mungo (2008): I’m so glad Mike Davis of The Lovecraft eZine recommended this film, which is a “mockumentary” about a family trying to come to turns with the drowning death of the daughter/sister. Are we witnessing how grief yields false hope and makes us vulnerable to charlatans, or is something supernatural taking place? This is a subtle work of slowly-mounting terror. Really delicious. Mike now tells me that if I loved this film, I need to read Disappearance at Devil’s Rock by Paul Tremblay, so I’m going to do that too!    Click below for my recommendations from previous years.  Read more …
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