doomsday_disco
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Everything posted by doomsday_disco
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A new year’s blessing! Peony, China’s national flower, with bamboo for flexibility, plum blossom and plum fruit for perseverance, courage, and hope, tangerine for wealth, orange for happiness, lychee for household peace, pine resin for constancy, golden kumquat, pussy willow, and quince for prosperity, narcissus and King mandarin for good fortune, and peach blossom for longevity, with a splash of blazing red of dragon’s blood and red vegetal musk to help you scare away the rampaging Nian.
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The surest thing there is is we are riders, And though none too successful at it, guiders, Through everything presented, milk and hide And now the very air, of what we ride. White chocolate, frothed milk, sandalwood, and leather.
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Assam and Darjeeling tea, milk, and jaggery with a blend of cardamom, ginger, cinnamon, star anise, pepper, and fennel seed.
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While previous incarnations of our Pink Moon have been a celebration of the first blooms of spring, this year’s scent is a strawberry smackdown: sugar-swirled strawberry milk with frothed marshmallow cream.
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Rain-dappled moss, golden silk, and sheer, gossamer vanilla.
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Black musk, frankincense, leather, black pepper, incense smoke, ebony, angelica root, and a splash of Stygian fougere. John Martin
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This is a strawberry-infused floral tea scent (I concur that the strawberry is more than a drop). I get the shampoo comparisons, although it's not shampoo-y in a bad way. While I prefer Party Tricks Hair Gloss over this one (with its creamy pink Starburst-like strawberry, amber, and chypre), I do think this fruity floral hair gloss will be nice to reach for on occasion (although I personally wish the cherry blossom were the main note on me and not the strawberry!).
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La Dame Aux Pamplemousses
doomsday_disco replied to doomsday_disco's topic in The Edward Gorey House
This is definitely one for marshmallow fans! The grapefruit in this is fleeting, quickly giving away to the hella accurate marshmallow note (creamy, floofy, and coated in a little powder), but like Amoraexcena, while the grapefruit is present, I'm somewhat reminded of Gobo with its pink grapefruit and vanilla cream notes. I haven't deathmatched this with Stekk, but I have to say that this is the best marshmallow scent that the Lab has released since Stekk. I said what I said!!! Yeah, this one is going to be very popular. I'll definitely be keeping my bottle to slather on its own and layer with some of the grapefruit duets and trios in my collection this summer. I hope this stays on the website for a long time to come, because there's no way one bottle will be enough for anyone who smells La Dame Aux Pamplemousses in all of its glory. -
Well, I don't get much matcha from this at all, actually, but I do get the nerikiri very strongly, which in this case, I believe is a sakura mochi. It reminds me of some cherry blossom sake Kit Kats I once had, but accompanied by the gummy-like texture of mochi and maybe some red bean, too? Although there's no notes listed for the nerikiri component of the scent, I'm pretty confident about the sakura, sake, and mochi aspects to this scent. I still need to give this a full day slather, but I enjoy this despite it not being a tea-centric scent like I had expected. The nerikiri accord in this is so neat that I can't help but to think, 'damn, how does Beth do that!?' especially since she not only nails the texture, but also makes these seemingly discordant things wearable.
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I tested this once and then slathered it another day as my scent of the day. In both instances, the pink strawberries and cherry blossom cream were the stars of the show, with more strawberry than cherry blossom, backed by the white amber and what must be the blush marshmallow. The cream went buttery on me during my first test of the scent, but somehow didn't do that when I slathered it for a full-day of wear. The white amber in this is the same as the one featured in Hohensalzburg Fortress and Schönperchten. Despite there being cherry blossom cream here and Reflected Vulva having cherry blossom and sugared cream in its notes, the two don't smell similar. I don't get anything distinctly marshmallow on my skin like the glorious marshmallow from La Dame Aux Pamplemousses, but at least I'm not getting anything like the marshmallow in Pink Moon: Marshmallow and Candyfloss Hair Gloss or the funky marshmallow froth from Fairy Lobster Foam. I mean, I'm sure the blush marshmallow is there doing something, but it just doesn't play as big of a role on my skin as it does for the other reviewers -- I think I seem to have gotten way more amber with the strawberries and cherry blossom cream. Although I would have liked the cherry blossom to be the strongest note here, I do think this is pretty and will happily reach for it during the spring months. Hair glosses I'd pair this with: Party Tricks and Kamisuki.
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Goose Moon: Tobacco Absolute and Cherry Chypre
doomsday_disco replied to doomsday_disco's topic in Duets & Menage A Trois
This is very much about the tobacco and chypre and less about the cherry on me. The tobacco is not the same caramelized tobacco found in Goose Moon itself, and the main aspects of the chypre are the moss and what I believe is bergamot or some sort of citrus note. The cherry is there, but it just can't hold a candle to the tobacco and chypre components. I layered a drop of this with Goose Moon. Goose Moon + Tobacco Absolute and Cherry Chypre - More tobacco, plus moss! This dials up the tobacco, and I get the moss and what I believe is bergamot from the chypre, on a bed of caramelized tobacco and sandalwood, with just a bit of cherry from the chypre. I believe the cherry chypre is the same cherry chypre used in Gen Z Feminist Cenobite and Cherry Cream Pie Chypre (RIP to my empty imp), although there's less cherry in this layering combo because there's a lot more going on here. I'd recommend this to someone who wants a chypre more than someone looking for a strong cherry scent (especially if you already own the aforementioned cherry chypre scents). This isn't something I feel the need to grab a bottle of, but it was fun to get to try it and layer it with Goose Moon! -
Brandied Cherry and Labdanum.
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Goose Moon: Brandied Cherry and Labdanum
doomsday_disco replied to doomsday_disco's topic in Duets & Menage A Trois
This features a dark, slightly boozed up cherry note accompanied by a cola-like labdanum. Although it's not exactly cherry cola (oh, how I wish the Lab did something like Absurd Origin Story plus cherry!), it may be the closest I've gotten to it from the Lab so far. (Because the sweet, cola-like labdanum is more like a flat cola than a fizzy one.) I layered a drop of this with Goose Moon, and here was the result: Goose Moon + Brandied Cherry and Labdanum - MORE CHERRY! Just what I wanted! It's the cherry and cola-like labdanum of the duet lying on a bed of caramelized tobacco and sandalwood. I tried the other Goose Moon cherry duet and would recommend this to chose wanting more cherry, as the other one is more about the tobacco and chypre. I think this would be nice to layer or wear on its own, so I'm debating whether or not my decant will be enough. -
Goose Moon is mostly about the white sandalwood, caramelized tobacco (I think this is the Lab's French Tobacco note), and plum juice on me. It reminds me of Beautiful Death without the Lace note, actually. I'd say they are cousins. The orris in here didn't make me smell like I fell into a vat of baby powder (woot!), and I didn't get much champaca or chili pepper from this (also woot!). The sour cherry cordial was the main aspect of the scent that appealed to me, and while it's more noticeable once it has been on the skin for a few hours, it's not a prominent note on me. I'm usually a plum-avoider, but the red plum here is bitter and not super sweet like most plum notes, so I'm not hating it here. I layered this with a drop of both of the cherry duets that accompanied it. Goose Moon + Brandied Cherry and Labdanum - MORE CHERRY! Just what I wanted! It's the cherry and cola-like labdanum of the duet lying on a bed of caramelized tobacco and sandalwood. Goose Moon + Tobacco Absolute and Cherry Chypre - More tobacco (which isn't the same kind in Goose Moon), plus moss! This dials up the tobacco, and I get the moss and what I believe is bergamot from the chypre, on a bed of caramelized tobacco and sandalwood, with just a bit of cherry from the chypre. I believe the cherry chypre is the same cherry chypre used in Gen Z Feminist Cenobite and Cherry Cream Pie Chypre (RIP to my empty imp), although there's less cherry in this layering combo because there's a lot more going on here. While I don't feel the need to upgrade a bottle of Goose Moon, I'll probably hang onto my decant to layer it with Brandied Cherry and Labdanum.
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This is a sparkling floral tea blend. The Earl Grey note reads more like the Lab's lemony white tea with bergamot. There's no black tea or matcha to be found. I get the pink rose and honeysuckle (more rose than honeysuckle on my skin) along with the tea note, swirled with the white musk, which adds to the sparkly, perfume-y feel of the scent, and just a touch of blackcurrant. I'd put this in the same family as scents like Butterflies, Flowers, and Jewels Attending. I'm a little sad that I wasn't able to detect any matcha here, but I do think this is pretty, nevertheless! I agree that this will be perfect for spring and will be hanging onto my decant.
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Black Clove and Marzipan.
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Goose Moon: Black Clove and Marzipan Hair Gloss
doomsday_disco replied to doomsday_disco's topic in Hair
This smells amazing in the decant and freshly sprayed, but alas, it is so short-lived! The marzipan has a cherry almond vibe in the decant that turns into creamy almondy goodness upon being sprayed, but it is fleeting, so that it's mainly the black clove that sticks around. I tried this in wet hair on Monday and on dry hair yesterday. I couldn't smell it after spraying it on wet hair, and although I could smell the clove whenever I held up a lock of dry hair to my nose, it was still pretty light, because it doesn't have anything to support it like in the Black Clove, Tobacco Flower, and Grave Soil Hair Gloss. I usually spray two sprays of hair gloss in my hair, and I used four sprays yesterday just to make sure I was doing everything to smell this to the maximum extent possible, but alas. It's just not a strong hair gloss, although it smells fantastic. If this were stronger, I'd probably upgrade to a bottle. But as it is, I think I'll have to stick with the decant. -
Ancient cypresses surrounding clusters of purple hyacinth, fallen leaves, and crosses crafted from white roses. A splash of rosewater, an immortelle hung on a tear-streaked marble tomb, nightshade berries, smoked lilac, warm beeswax, and a snuffed candle. Franz Skarbina
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Skin musk and silk with a whisper of tonka, coffee bean, and russet amber. Henri de Toulouse-Lautrec
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Jolly, jeering splats of red and black currants, neroli, and spiced apricot surrounding a grinning clang of spectral sandalwood musk. James Ensor
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An oil to help you overcome feelings of loneliness and isolation while cultivating and retaining compassion for yourself, your communities, and the broader world. This oil contains lily, hyacinth, angelica, frankincense, tulsi, Roman chamomile, and lemon.
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Hemlock and Lily of the Valley.
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Whilst I was residing at Maulmain I saw a ghost with my own eyes in broad daylight, of which I could make an affidavit. I had an old schoolfellow, who was afterwards a college friend, with whom I had lived in the closest intimacy. Years, however, had passed away without our seeing each other. One morning I had just got out of bed, and was dressing myself, when suddenly my old friend entered the room. I greeted him warmly, told him to call for a cup of tea in the verandah, and promised to be with him immediately. I dressed myself in all haste, and went out into the verandah, but found no one there. I could not believe my eyes. I called to the sentry, who was posted at the front of the house, but he had seen no strange gentlemen that morning, The servants also declared that no such person had entered the house. I was certain I had seen my friend. I was not thinking about him at the time : yet I was not taken by surprise, as steamers and other vessel were frequently arriving at Maulmain. A fortnight afterwards, news arrived that he had died, six hundred miles off, almost the very time I saw him at Maulmain. It is useless to comment upon this story. To this day I have never doubted that I really saw the ghost of my deceased friend. Banbury Advertiser, 18 July 1878 A fragrance steeped in wistful melancholy and the ache of near-forgotten longing. Black tea and bergamot shimmer in the glow of sunlit amber as cypress boughs cast lingering shadows. The heart blooms softly with jasmine sambac and tender orris.
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Scorched oud, bitter resins, black musk, a torn shred of gossamer vanilla, and a clang of metal. “I concealed myself in the dark dressing room, that opened upon the poor patient’s room, in which a candle was burning, and watched there till she was fast asleep. I stood at the door, peeping through the small crevice, my sword laid on the table beside me, as my directions prescribed, until, a little after one, I saw a large black object, very ill-defined, crawl, as it seemed to me, over the foot of the bed, and swiftly spread itself up to the poor girl’s throat, where it swelled, in a moment, into a great, palpitating mass. “For a few moments I had stood petrified. I now sprang forward, with my sword in my hand. The black creature suddenly contracted towards the foot of the bed, glided over it, and, standing on the floor about a yard below the foot of the bed, with a glare of skulking ferocity and horror fixed on me, I saw Millarca. Speculating I know not what, I struck at her instantly with my sword; but I saw her standing near the door, unscathed. Horrified, I pursued, and struck again. She was gone; and my sword flew to shivers against the door.”
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Sugared pear and wild violets with orris butter, coconut milk, white musk, and vanilla silk. “How romantic you are, Carmilla,” I said. “Whenever you tell me your story, it will be made up chiefly of some one great romance.” She kissed me silently. “I am sure, Carmilla, you have been in love; that there is, at this moment, an affair of the heart going on.” “I have been in love with no one, and never shall,” she whispered, “unless it should be with you.” How beautiful she looked in the moonlight! Shy and strange was the look with which she quickly hid her face in my neck and hair, with tumultuous sighs, that seemed almost to sob, and pressed in mine a hand that trembled. Her soft cheek was glowing against mine. “Darling, darling,” she murmured, “I live in you; and you would die for me, I love you so.”