Lunasariel

In the center of the chariot shines Capellas yellow-white brilliance. A deep chthonic, earthy scent, with a glowing core: oakmoss, vetiver root, and patchouli with lemon rind and golden amber. In the imp: A very earthy, almost herbal fruity scent. I expected the lemon rind to be sharp to the point of astringency, but this has and oddly... juicy quality to it? Might be the amber rounding things out. Wet: This is a scent of wild places, a sunbeam piercing the canopy of the forêt sauvage. The vetiver is surprisingly well-behaved on me, deep and growling but not B.O. or burning tires, the way it can sometimes go. The amber-gilded lemon rind is still fairly dominant, but it's made dark and wild by the patch and just a hint of vetiver. At this point, I would compare it to Hemlock - a very realistic green, wild scent, but dark and mysterious instead of light and springy. Surprisingly little throw so far. Dry: Huh, that's a surprise! I was worried that the oakmoss would take this blend straight to Soaptown, as it tends to do, but instead I get an oddly pretty, almost fruity-floral scent. The amber is much more prominent, and the patchouli is now providing an almost spicy warmth instead of grit. There's still a breath of wild, fresh air, but I would now call this a cheerful, even office-appropriate, scent. Earthy, maybe. Chthonic, not so much.

In the imp: A spicy-woodsy scent, fairly dry, with pine prominent but not conquering all it sees the way it sometimes does. I also thought I got a sort of musky, animalic note, but there's nothing listed that matches it. Maybe some unlisted musk, or maybe some combination of amber, mosses, and woods? It's a wonderful sort of fur-ruffling scent, whatever it is. Wet: If I had to describe this scent in one word, it would be "organic." This is the scent of a damp forest floor, complete with leaf mast and decaying wood. It's very weirdly cozy, but not homey, if that makes any kind of sense - it's not a "fuzzy sweaters and baking bread" kind of scent, which is what usually makes me think "cozy," but it kind of wraps its arms around you and sinks into your skin. Maybe this is the hazelnut and/or amber talking? I had no idea what nooka is, so I looked it up, and according to Fragrantica, "Nootka, or Alaska cypress, is a cypress tree native to the coastal Northwest. The oil has a strong woody aromatic smell with hints of grapefruit and blackcurrant." While I'm definitely getting plenty of aromatic woods, I'm not getting any grapefruit or blackcurrant (which is a little odd, since blackcurrant is a listed note in its own right). Maybe they'll come out on the drydown? Dry: The scent moves up from the forest floor, going from damp leaf mast and gently decaying wood to living tree trunks, complete with moss and lichen, and bars of sunlight slanting through the canopy. It's a beautiful gold-green-brown scent. After eight hours or so, it does a particularly graceful fade into a sort of musky amber, with that "organic" feeling still going strong.

In the imp: Spicy-herbal and resinous, with the lavender very prominent and medicinal-smelling. There's something sweet stopping the whole thing from smelling too sharp, but it's buried under all the other, pushier notes. I think it might be the blood orange and/or the dragon's blood, which has always read strongly cherry-vanilla to my nose, but I can't tell which. Wet: A big flash of woozy-sweet lavender, like The Dream or Good Morning, London, quickly gives way to an absolutely glorious blood orange and amber, with more than a whiff of incense. I wish I was getting more of the cacao, though. Dry: The blood orange burns off after an hour or two, leaving mainly amber and omnidirectional incense/resins with maybe just a hint of cherry-vanilla dragon's blood.

In the imp: That's a nice well-worn leather! I'm also getting some very deep resins - I almost want to say something fruity and/or floral? And maybe a flash of metal and/or ozone. Wet: Huh, this is interesting! From afar, I still get that lovely well-worn leather and fruity-floral resins, but the closer to the skin I get, the more I pick up on a deeply unfortunate soapy/cleaning note. So as I'm sitting at my computer typing, I'm doing so in a cloud of "sexy but dangerous assassin," but as soon as I lift my wrist for a closer sniff, the assassin is replaced by a hospital janitor. Dry: Thankfully, the unfortunate soapiness fades after an hour or two, leaving darkly fruity resins and that lovely well-worn leather note. It's a darkly, quietly elegant scent, and I love it!

In the imp: A very light, watery, almost cologne-like scent. Makes me think of white light, and pale greens and blues. Wet: Not cologne-like, but still watery. I almost want to say something green and/or floral? It reminds me of light reflecting off of water. Dry: OK, now it's less watery/green and more cologne-like. There are still some florals hanging around, but it's now more clean-smelling and "perfumey." Still lovely as a light, clean, refreshing scent, though!

In the imp: Smooth resins, with a strong beeswax note. I almost want to say honey as well, but I think that's just the beeswax talking. Overall it's a mellow, burnished-gold sort of scent, almost goopy. Wet: A lot drier; more resinous and less beeswax-y, although the beeswax is still present. The resins really are wonderful, though - smooth, mellow, and sweet, with maybe the slightest vanillic edge? Dry: Pretty linear - turtles resins and beeswax all the way down. A softly glowing golden scent, simple and lovely on its own or great for adding warmth, depth, and coziness to other scents.

In the imp: A big, bright, effervescent blast of something fizzy - at first I wanted to say ginger ale. There's also some sweet tonka in there somewhere, but the petitgrain/ginger ale note is very nose-catching - it actually feels like bubbles going up my nose! Wet: The ginger ale-esque bubbliness quickly burns off, leaving a more distinct citrus note. It blends *beautifully* with the glowing golden amber and soft, fuzzy, brown-gold tonka - most of the time. The citrus occasionally veers a little high-pitched for me, especially at the beginning, but overall I found they balanced very well. Dry: As usual with most citrus notes, almost all of them have burned off an hour or so in, leaving only a hint of petitgrain to round out the amber and tonka. I'm also getting whiffs of something my brain keeps wanting to interpret as baking bread - so the nutmeg, maybe? My husband picked up on vanillic notes, which I didn't, so it might be the tonka as well.

In the imp: A very sweet and chewy tobacco (with maybe caramel making it extra-sweet and extra-chewy?), with soft, fuzzy herbs underneath. Wet: The tobacco is much more restrained, and is playing very nicely with a swirl of herbs (I would believe sage, but I couldn't pick it out immediately) over a rather dry, woodsy base. I get very occasional hints of bubblegum, which is what chamomile usually does on my skin, but thankfully not many - I was a little worried about this when I ordered, so I'm glad that the other notes are having a chance to shine through! After a few minutes, from afar, it's a a rather lovely balance between gray-green sage and dried brown tobacco leaves, with no raisins or caramel that I could pick up. The sandalwood started out almost nonexistent, but has become more prominent. Dry: This is the scent of dried herbs and tobacco leaves hanging among old wooden rafters - surprisingly dry and homey! At first the herbs (again, mainly sage but not distinctively so) are more prominent, accented by the tobacco leaves, and then they slowly shift places over several hours. When the tobacco becomes prominent, it becomes sweeter and chewier, like ITI. And maybe there's just a hint of fruity sweetness? Not enough for me to be able to say so with confidence, though, which I'm extra-glad of - I occasionally amp sweet notes, and I was a little afraid that the foody sweetness would stomp all over the tobacco and herbs, both of which I adore. Huh, this ended up being a lot quieter and more grounded than I'd anticipated. It's a sort of homey, quietly confident scent - not quite how I think of Schmendrick, although I suppose I did take a "magic, do as you will" chance on the camomile and foody notes not overwhelming the tobacco, sage, and sandalwood.

In the imp: A very pretty, perfumey, leather and juniper scent. It's lovely, with enough of a rough edge to make it interesting, but doesn't exactly fit my mental image of a berzerker. The juniper is a particularly nice touch - when I was ordering this scent, I was worried that it was going to boil down to Fighter 2.0, which on me smelled exactly like my elegant grandmother's fancy shoe closet. This is definitely not that - much more herbal and multifaceted. I also suspect that the "blood" in the description is dragon's blood; there's a sweetness here that I can't otherwise place, but I don't get the CHERRY-VANILLA PUNCH that I usually do from dragon's blood. Wet: A big ol' blast of I AM LEATHER, HERE ME ROAR!, that quickly settles down into a much softer, more well-worn leather that plays well with juniper and poplar bud. Or at least, I think that's poplar bud - it's a gently green/herbal/almost floral scent, and I really like it. The sweetness that may or may not have been dragon's blood from ITI is missing, and overall it's much less "perfumey"-smelling, but it does settle down very quickly, and wears quite close to the skin. Surprisingly demure for a berzerker! Dry: The leather goes through an unfortunate newer, kind of chemical-y phase that is indeed reminiscent of a high-end shoe closet, with some omnidirectional woods to complete the illusion, but after a little while it settles into a lovely well-worn musky leather and juniper scent strongly reminiscent of l'Idole from the 2017 Lupers, which was one of my favorites. Surprisingly soft-spoken and demure for a berzerker - this feels more like a druid who is mostly happy sitting in their glade in their well-worn leather robe, but can go on the occasional rampage as needed.

In the imp: A zingy and clean blast of eucalyptus and ever-so-slightly-sweet mint. I know this sounds like a one-way ticket to Cleaning Fluid Town, but right now it's just refreshing and pleasant. (Or maybe it's the muggy, hot, smoke-laden day that's making me crave anything cool.) Wet: It starts out as a much stronger eucalyptus note with less mint and MUCH more frankincense, but after half a minute or so an unpleasantly soapy note emerges; I can both taste and smell it. Luckily, that settles down after another couple of minutes into a mild eucalyptus note backed up by some white musk. Throw is decent and almost entirely eucalyptus. Dry: A surprisingly low-key cologne-like scent, soft eucalyptus toned down by gently resinous frankincense and white musk (and maybe blue musk? I don't have a great scent profile for blue musk). It's now wearing much closer to the body, and I'm surprised by how chill (heh) it feels, given the number of notes that tend to go high-pitched and shrieky on me.

In the imp: Fizzy, gingery, and effervescent, with a nice little kick from the pepper, while still avoiding the nose-biting elements of both ginger and pepper. There's something tempering the ginger here, which I think is the balsam? It's taking the scent out of foodie/craft cocktail territory, and into something much more multifaceted. Wet: A BIG punch of ginger, tempered by a much more distinctive balsam, right out the gate. The pepper is still giving it some (more) kick, but the sarsaparilla leans slightly soapy on me. After a minute, a very distinct machine oil note merges, which plays surprisingly well with the ginger and balsam. Dry: Starts out still very ginger-forward, tempered with an interesting smoky note (this is definitely metallic/diesel smoke, not woodsmoke). As time goes on, however, the ginger fades out and the balsam (and nutmeg, I think?) take a big step forward. The metallic smokiness note remains constant, though, and it turns out that balsam(/nutmeg?)/smoke is a really nice combination on me - it's not exactly snuggly, but it is kind of weirdly cozy, in an odd, unisex sort of way.

In the imp: Surprisingly cologne-like. Fresh out of the package, I noted down a lot more metallic and machine oil notes, but now that's it's been settling for a few days, it's much fresher and cologne-y. Is this the "blue flickers of arcane power?" Wet: Fresh, light, and cool - I initially thought lily of the valley, but I see others saying eucalyptus, which I could also see. Something light green and almost aquatic, anyway. It's oddly reminiscent of Sea of Glass. Dry: A light, vaguely metallic cologne, with the metallic/machine oil note growing stronger over time, but never overpowering the cologne. It does give the cologne a very interesting dimension - a sort of stability or grounded-ness (heh, maybe to counteract the "sparking wires"). I never did pick up on the eucalyptus notes that other reviewers have noticed, though.

In the imp: I think my eyes may have rolled back in my head when I took my first whiff of this. This is liquid gold - the vanilla is subtle & smoky, and the cedarwood is mellow & aged (no lumber rooms or pencil shavings here!). Wet: A little drier and more woodsy. It starts out about 65/35 cedar/vanilla, but quickly equalizes until it's this beautiful blend that's something entirely its own. The vanilla here isn't as crystalline or ethereal as in Zorya Polunochnaya, but it has a similar elusive, smoke-on-the-wind kind of feel to it. Dry: Very well-blended, equally balanced between the two notes. It's not quite a warm & snuggly scent, but there's something comforting about it nonetheless. Stability, maybe? It's a pretty Lawful Good kind of scent.

In the imp: Woody, but a dried and dusty sort of woody - maybe more dried resins? I get the impression of my old wooden incense burner, where so many sticks have burned down that there's a little ring of resins built up around the hole. Wet: The dustiness/dryness has mostly gone, leaving straight resins/woods. It now smells like the incense casket where I keep unburned sticks - years of residual resins building up inside aromatic wood. (Although I believe my incense casket is cedar, and this scent isn't specifically cedar.) Dry: Pretty linear - dry-ish woods and aromatic resins. Although perhaps leaning more towards the resins as time goes on?

In the imp: Apples definitely, and whiskey, yes, but there's a delicious, almost caramelized note that I think is the interplay between the two. An elegant, sexy, fruity combination. (Man, I wish that whiskey tasted like it smells! Like coffee, I can't stand the taste but I loooooove the smell.) Wet: Much boozier and traditionally "perfumey," while still distinctly fruity. This smells like something that should come out of a cut-glass bottle on a lady's vanity. Dry: The apple burns off after a few hours, leaving an oddly...perfumey whiskey? It almost reads as leather or smooth woods; it brings to mind the phrase "barrel-aged."

In the imp: Simple, as Duets tend to be. In this case, it's honeysuckle and wet earth. There was an initial strong blast of patchouli as I uncorked the imp, but this dissipated quickly, and the patchouli read as earthier. Wet: More honeysuckle, less patchouli. The earthy elements are still there, but much toned down - without knowing what it was, I'm not sure I could even identify it as patch. Dry: Seems to kind of swing between the two extremes. Sometimes it's straight-up honeysuckle, and sometimes it's a seriously earthy patchouli, but most of the time it's honeysuckle and wet earth, fairly similar to ITI.

In the imp: Mainly clove, but...alcohol-y clove? Clove extract? It smells the way vanilla extract tastes, with that sharp, surprising bite of alcohol under the sweetness. Otherwise, it is a very holiday-sweet kind of scent. Wet: Still primarily a clove scent (reminds me of pomanders, actually!), but hey, the hay shows up! That particular soft, golden, dried-grasses scent plays wonderfully with the clove, taking it out of the kitchen and into the field. Dry: A warm, golden, slightly spiced scent. If I didn't know better, I would call this amber instead of hay.

In the imp: A creamy, honey-sweet scent, reminiscent of Good from the RPG line. Wet: A golden core of strength (I think this is the sandalwood?) with a golden, hazy cloud of sweetness wrapped around it. I'm getting quite a bit of honey and creamy mallow flower, but also some vanillic sweetness. If the orris is here, it's as a subtle backup note, reining in the sweeter elements and stopping them from going syrupy. Which I'm both delighted and surprised by, because orris has a tendency to go overwhelmingly powdery on me. There's also an interesting zingy, lively note, almost like citrus but not quite; this could be either the honey (especially if it's orange blossom honey, which smells quite citrusy IRL) or the mallow flower (which I'm not super familiar with). Dry: The creamy mallow flower note is more dominant, making this mainly a mallow and honey blend with hints of vanilla. Still very sweet, in a zingy, uplifting kind of way.

In the imp: An elegant, cool amber, backlit by benzoin and embellished by wafts of a delicate and, yes, smoky vanilla. Wet: Primarily a fresh, outdoorsy cypress and that lovely smoked vanilla, with the resins as a glowing golden backdrop. Apparently vanilla + any sort of (non-abrasive) wood = a total win on me, but the combinations of the cypress and the smoky elements of the vanilla is particularly delightful. Dry: Soft amber, with just a touch of vanilla.

In the imp: A big ol' swirl of resins and woods. I think I'm picking up on the patchouli and honey, but otherwise, individual notes are hard to distinguish - it's just one big, golden mélange. And yet, it's cooler and lighter than you would expect - I don't think this would feel heavy or overwhelming on a summer day. Wet: Aha, there we go! The patchouli is still playing *very* nicely with the honey, but the oud is now more distinct, as are warm, polished-to-a-shine woods. I'm not getting any vetiver or oakmoss yet - unless it's the oakmoss giving it that lightness? This is a rich, expansive, generous scent - what I imagine the Ghost of Christmas Present would smell like. Dry: Huh, that was quick! Within four or five hours, it's dried down to a very soft honeyed patch, with maybe the barest hints of oud and woods. But really, I have to huff to get a scent at all - this is a surprisingly quick fade for a woody/resinous blend, which tend to stick around on me for a while. It is a lovely scent, though - warmer and cuddlier than the wet stage, although not as sophisticated or complex.

In the imp: A good honest apple scent, with an underlying woodsiness. And I almost want to say a hint of caramel? Something goopy-thick and sweet, anyway; looking at the other reviews, I can easily see either mashed or baked apples. Wet: Still primarily apple, but an It's Complicated apple. There's an almost woozy note, like cider or fermenting apple juice, the woody notes are stronger, and a lovely, delicate apple blossom note wafts in and out. There's a lot going on here, but it's harmonious - like Soupy Twist says, it's all of appledom in one perfume. Dry: A softer, warmer apple scent, slightly spiced and definitely woodsy. I'm still getting a cider-y/fermented feel, and the florals have faded almost entirely.

In the imp: Light and clean, almost soapy but not quite. There's a waft of jasmine but no more, and if this is tea, it must be the dried leaves rather than a cup of brewed tea. Wet: A flash of astringency, and then it settles down into exactly what I imagine an airing cupboard full of freshly washed cotton sheets would smell like, with maybe a couple of dried jasmine and lavender flowers sprinkled between them. The florals are very light and non-intrusive, but present nonetheless. Interestingly, I asked my fiancé what he thought at this stage, and he, not knowing any of the notes said, "like wet tree bark, just after rain." I can...kinda see it? The tea comes out after a few minutes, and I could see that reading as woody. Dry: Very soft tea and cotton, very clean, but in an...organic kind of way, not like soap or laundry detergent. Like sun-dried sheets, as above. Quietly responsible, demure, and understated. A great scent to wear to brunch with your in-laws when you don't have time to shower (like I may have done today).

In the imp: An earthy, mineral, vegetal scent with a bit of zip to it - is that ginger? peppercorns? I'm kinda leaning towards black pepper, as seen in Black Pepper and Sandalwood. Wet: A flash of greenery and ozone, before it settles into a musty, zingy kind of scent. I'm totally willing to believe sandalwood, and I'm thinking ginger or cinnamon for the zing, rather than pepper. Dry: That probably-sandalwood note comes to the fore, along with maybe a hint of patchouli or musk. A soft, mellow, woody scent, which I would not have expected from the zingy opening.

In the imp: Pomegranate - dark, fruity, and juicy. It's not exactly a fruitsplosion (unlike The Red Queen, which I tried recently and started out as a CHERRY BOMB!), but it's very single-note-dominant, at least at this stage. Wet: Still mainly pomegranate. For a little while, there was an odd waxy note, like pomegranate-scented candles, but then it morphed into...vetiver, I guess? But I agree with zankoku_zen - I get more leather than vetiver. Pomegranate and vetiver. Dry: ...Huh. The leather note was unexpected, but so is where it ended up. A dark green, foresty blend with subtle fruity accents, not dissimilar to Druid or Bewitched. Both of which I LOVE, but I wasn't expecting to find a similar blend here.

In the imp: Mainly fruity, juicy strawberry, with some just-beginning-to-bloom rose around the edges. Both are very realistic and alive-smelling, if that makes any sense. Wet: It quickly does a switcheroo and becomes mainly rose, with some strawberry around the edges. Dry: Unsurprisingly, the rose outlasts the strawberry. But this isn't a "perfumey" rose - it smells like a rose garden in spring, before the heat really brings out the biggest, most voluptuous scents. It's soft, subtle, and very, very lovely.