roseus

Creamy, sugared vanilla and pumpkin is what I get. Simple and perfect.

Echoing the TKO vibes with this one. It has that dry, fluffiness of TKO but I find this a little sweeter and softer (zero herbal/astringent edges that sometimes come with lavender) with the vanilla. Soft cleanness from the white musk, and maybe a green tinge from the hops? I can't quite pin my nose on that note. A lovely lavender blend, glad I finally got my thorns on it!

Thick, sweet incense on the wand. Green herbal edges, with a green, sharp coolness of an evergreen or something. On my skin this thins out considerably, no longer thick and sweet but translucent and floral, almost soapy. Pleasant, but not where I thought this would go.

Throwing my 2 cents in as well! I too am a lover of Morocco. It feels comforting and exciting, I've been wearing it for years and never tire of it. It's a classic must-try. 51 is a summer favorite of mine its eerie and refreshing and we don't see too much green musk or guava so I'd say it's pretty unique!

The spicy clove sends me straight to Yuletide thoughts initially and I tested this multiple times but didn't feel right until a cool, cloudy day. Dry on me the clove is much less intense and mixes with the saffron for a less distinctly festive spice, I agree with sunreon that this smells expensive. To me its not necessarily like a snooty expensive, but just grand and golden. The amber is just fantastic in this one. Perfect for chilly days.

In the bottle and wet I get a very intense, damp oudh. This with the heady jasmine reminded me strongly of The Head initially. As it dries the oudh softens, giving a less intense but deep woody base. The rest of the notes are like rich velvet over the top, though difficult to pick out. I had a bottle of Versailles a long time ago and for some reason this seems to be its dark counterpart to my memory of it, decadent and rich but not bold and bright in the way Versailles was. The jasmine is softer and less heady and mingles darkly with the rose, while the benzoin and musk blur all the edges.

Just twenty-three years ago yesterday the youngest daughter of John D. Fox, residing in a haunted house in Hydesville, Wayne county N.Y., made the interesting discovery that she could receive communications from the other world through the medium of raps upon tables, doors, chair-legs, wooden walls, and other timbered articles. On the night of March 31, 1848, the family were kept awake by the incessant rat-tat of unseen knuckles upon the floors and walls of the rooms in which they slept. Little Kate, then only ten years old, was in a merry mood. While her elders were shivering and shaking with fear, she took it into her head that with her fingers and toes she could raise as much racket as the ghosts, and began forthwith. At first the mysterious noises were silenced, but in a minute or two the invisible rappers responded to every snap of the child’s fingers. Kate was not slow to improve her opportunity to experiment. “If they will rap when I snap,” she said to her terrified sisters, “why won’t they count as we do at school at the call of the teacher?” “Now,” said she, “count 1, 2, 3, 4, as I do,“ striking her hands together. Four distinct raps were given in response. – Democrat and Chronicle, Rochester NY, April 3, 1871 Tea rose and teak, and black tea with a drop of cream. The teak and black tea are most prominent in this blend. They blend very well creating a base of light, smooth wood. The roses are very subtle, and I would say they have a dried quality, rather than fresh and bold. I might get a hint of cream if I search, but it's not very prominent and probably helps to keep the blend from going too dry. Perfect scent for your Victorian parlor or library!

I get mostly gauzy, fluffy, ephemeral vanilla musk with just a tinge of sweet, creamy tuberose.

I goth this for my guy but I'm loving it on myself too! Mostly I get sweet fir, sappy and cool smelling (without being minty). There is a little herbal cypress peaking out and I distinctly get some cedar grounding it. A beautiful forest scent without the snow notes that often accompany them. My head feels cleared, like breathing fresh mountain air.

Despite the heady white florals and the regal, queenly vibe a good word for this blend is sheer. It has substance without being heavy or intense. The florals are everything you want from these tropical blooms: sweet, creamy, waxy. They are balanced by the skin warmth of ambergris, and the vanilla and musk. Gorgeous, romantic blend.

This started out as a syrupy cherry-almond, and I was very sad. But luckily the almond softened and all the cherry tones disappeared very quickly. This ended up being something similar to what I hoped OLLA Eve would be (I didn't get any rose). I get prominently a dark, velvety rose with a bit of fruitiness that I think is the fig since I do not get that note distinctly. The cardamom is light and adds a mysterious spice and melds well with the warmth of the almond. The whole blend is darkened and deepened by the oudh, which adds a nice woody-incense without being heavy. Edit: as this has settled the rose has strengthened a little and so has the fig. Bold juicy fig that blends perfectly with the rose, the throw is quite gorgeous.

This is a very rich, deep scent on me. The musk starts out sparkling and silvery reminding me of classic, sophisticated perfumes. However as it wears it becomes more about the vanilla and benzoin and becomes thick, resinous, and golden. Something about the warmth and depth reminds me of ambergris. It's soft and cozy and to me this is the BPAL equivalent of cashmere.

Never tried the original but always wanted to! Hoping for a nice gently warm sweet pea scent, a softer less sweet counterpart to Mouse's Long Sad Tale. In the bottle I get light, clean sweet pea. Almost soapy. Wet I get very light, natural smelling sweet pea and what smells to me like skin musk. Warm, but clean. Also getting the nutty, vanillic scent of tonka grounding the scent. Dry it stays relatively the same but with warm sage mingling. The sweet pea is fainter at this stage as well. Overall very soft and close to the skin, a very your-skin-but-better scent. Would be great for an office with a no-scent policy.

In the imp: Dry, spicy cardamom. Makes me think of a desert market scent. Wet: This reminds me of Dr. Pepper. The honey milk gives the spice just the right kind of toothsome sweetness, and there is something buoyant, not fizzy but bubbly enough about the blend to remind me of soda. I mean this in the best way possible of course. Dry: Still that rich spicy sweetness, but creamier and more subdued. Getting that distinctly airy floral-spice of carnation. Lovely.

In the imp: dark jasmine and thin smoky clove, like someone has a clove cigarette somewhere nearby. Wet: The jasmine sweetens, the clove get fresher, and more sharply spicy. Warm, sandy cardamom comes in. Dry: This smells dark and cool despite the spice, which just now mingles at the back like streaks of dawn coming over the horizon. I was worried I would never get the moonflower or orchid but they are there now, white and a bit waxy. The jasmine is soft and vaporous.

In the imp: violet-strawberry candy. Very sweet. Wet: Like I dropped the candy in the dirt. Something sharp and medical. Dry: Mostly violet with a little candy strawberry again.

Initially the lavender and white musk combination with a bit of sharpness from herbal notes brought my mind to Waiting, but this is much different once settled. The jasmine comes out and the vanilla warms the blend a little. Quite vaporous and light.

Very smoky leather, but no chemical sharpness. Some coal, that almost-but-not-quite pushes into bbq territory. Overall quite intriguing!

Something about the combination of pine, cedar, and bay rum came off as the green, grassy type of vetiver. Starts off to me as very much a forest scent, but the lemongrass, pepper, and cardamom add a delcious warmth to this.

Before reading the notes I got a bit of spicy carnation but mostly a nectar-sweet and somewhat velvety scent that I would have guessed was apricot or peach, or perhaps peach blossom. I think this is a combination of the patch, ambrette and musk. As it lingers the peony really comes out over the top.

Got this decant for my guy but I had to try it too. On me it is very woody, with lots of smoky vetiver. As it fades I get a bit of lemon to brighten and freshen the blend. On my guy its a base of leather and woods, soft and warm. The hay is prominent making it soft and dusty (in a good way) with a good dose of bright lemon.

In the imp: Ultra-sweet blueberry, smells like bubblegum. Wet: Blueberry, and something overwhelming. Sharp and sweet, I think it might be a combination of the tangerine (smells a bit like the sharpness of orange rind?) mixed with the citrus/pine snow note. But not a lot of it, might be the frozen aspect. Dry: A softer, more natural blueberry, with a distinctly juicier tangerine surrounding it. I get some vague white flowers, and underneath everything just a tinge of pine snow that grounds the sweetness of the other notes.

In the imp: a thin-smokiness cut by a syrupy sweet medicinal scent. Wet: The thin sweetness of the poppy blooms and takes over. Dry: Juicy blackcurrant with green herbal edges.

In the imp this was a rich, sweet patchouli the kind I love but unfortunately generally doesn't work on my skin anymore. With the sandalwood this definitely went to the drier, more woody side of patchouli when wet. Eventually the frankincense takes over a bit, making it a bright, gritty scent. It retains the earthy woodiness from the patch and sandalwood making it almost rugged on me. It glows in a grounded, earthy way. The word sun-baked comes to mind.

I was worried the kelp, seaweed, and salt would push this way too sharp and salty. I love aquatics, but on the sweeter, softer side. The blue musk is very fresh and a little sweet, but the other notes give it a depth and saltiness that firmly makes it an oceanic scent, but not a harsh one.