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Misery is manifold. The wretchedness of earth is multiform. Overreaching the wide horizon as the rainbow, its hues are as various as the hues of that arch, — as distinct too, yet as intimately blended. Overreaching the wide horizon as the rainbow! How is it that from beauty I have derived a type of unloveliness? — from the covenant of peace a simile of sorrow? But as, in ethics, evil is a consequence of good, so, in fact, out of joy is sorrow born. Either the memory of past bliss is the anguish of to-day, or the agonies which are have their origin in the ecstasies which might have been. A cerebral scent, dry, and white. This is a perfume of thought, not heart, and of unforeseen pain and sudden obsession, touched with uncertain twilight and ambiguous horror. Stargazer lily, white musk, clear aloe, blonde amber and winding-cloth linen. straight sniff from the bottle is very clean and aquatic.... upon application the musk takes over ..... followed by what i think is the aloe, amber and the linen.....really, really pretty too bad this does not last nearly long enough .... i suppose i will have to slather liberally.....or wear it in summer as it is rather subdued......and lovely....
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For some minutes after this fancy possessed me, I remained without motion. And why? I could not summon courage to move. I dared not make the effort which was to satisfy me of my fate — and yet there was something at my heart which whispered me it was sure. Despair — such as no other species of wretchedness ever calls into being — despair alone urged me, after long irresolution, to uplift the heavy lids of my eyes. I uplifted them. It was dark — all dark. I knew that the fit was over. I knew that the crisis of my disorder had long passed. I knew that I had now fully recovered the use of my visual faculties — and yet it was dark — all dark — the intense and utter raylessness of the Night that endureth for evermore. I endeavored to shriek-, and my lips and my parched tongue moved convulsively together in the attempt — but no voice issued from the cavernous lungs, which oppressed as if by the weight of some incumbent mountain, gasped and palpitated, with the heart, at every elaborate and struggling inspiration. The movement of the jaws, in this effort to cry aloud, showed me that they were bound up, as is usual with the dead. I felt, too, that I lay upon some hard substance, and by something similar my sides were, also, closely compressed. So far, I had not ventured to stir any of my limbs — but now I violently threw up my arms, which had been lying at length, with the wrists crossed. They struck a solid wooden substance, which extended above my person at an elevation of not more than six inches from my face. I could no longer doubt that I reposed within a coffin at last. And now, amid all my infinite miseries, came sweetly the cherub Hope — for I thought of my precautions. I writhed, and made spasmodic exertions to force open the lid: it would not move. I felt my wrists for the bell-rope: it was not to be found. And now the Comforter fled for ever, and a still sterner Despair reigned triumphant; for I could not help perceiving the absence of the paddings which I had so carefully prepared — and then, too, there came suddenly to my nostrils the strong peculiar odor of moist earth. The conclusion was irresistible. I was not within the vault. I had fallen into a trance while absent from home-while among strangers — when, or how, I could not remember — and it was they who had buried me as a dog — nailed up in some common coffin — and thrust deep, deep, and for ever, into some ordinary and nameless grave. As this awful conviction forced itself, thus, into the innermost chambers of my soul, I once again struggled to cry aloud. And in this second endeavor I succeeded. A long, wild, and continuous shriek, or yell of agony, resounded through the realms of the subterranean Night. Oppressive darkness, expressed through black orchid and patchouli, smothered by wet soil, a coffin's teakwood, and the funereal gloom of cypress. Premature Burial is kind of Smutty around the edges. It starts off very, very wet dirt in the bottle and wet on the wrist, but it dries to a lovely musky, sweet scent that sweetens even more as it dries. It still smells a bit like dirt but not as strongly, and the dirt scent is more like an earthy, deep, dark scent rather than a big pile of wet dirt as the bottle aroma suggests. I do like it more than I expected; I'm not a fan of dirt smell usually but this actually works. It's certainly interesting and much more wearable than expected. The tinge of wood is actually noticiable, and really lovely, though it is faint. I don't really sense cypress; I'm pretty sure the sweet note is orchid. I kind of feel like Beth is doing variations on the Smut theme... which is fine by me!! It just has an edge that reminds me of Smut, and I don't know what it is; it's not a twin or anything, but I just feel that there is a note in common (which I like quite a bit). For me, 4.5 out of 5.
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He had directed, in great part, the moveable embellishments of the seven chambers, upon occasion of this great fete; and it was his own guiding taste which had given character to the masqueraders. Be sure they were grotesque. There were much glare and glitter and piquancy and phantasm — much of what has been since seen in "Hernani." There were arabesque figures with unsuited limbs and appointments. There were delirious fancies such as the madman fashions. There was much of the beautiful, much of the wanton, much of the bizarre, something of the terrible, and not a little of that which might have excited disgust. To and fro in the seven chambers there stalked, in fact, a multitude of dreams. And these — the dreams — writhed in and about, taking hue from the rooms, and causing the wild music of the orchestra to seem as the echo of their steps. And, anon, there strikes the ebony clock which stands in the hall of the velvet. And then, for a moment, all is still, and all is silent save the voice of the clock. The dreams are stiff-frozen as they stand. But the echoes of the chime die away — they have endured but an instant — and a light, half-subdued laughter floats after them as they depart. And now again the music swells, and the dreams live, and writhe to and fro more merrily than ever, taking hue from the many-tinted windows through which stream the rays from the tripods. But to the chamber which lies most westwardly of the seven, there are now none of the maskers who venture; for the night is waning away; and there flows a ruddier light through the blood-colored panes; and the blackness of the sable drapery appals; and to him whose foot falls upon the sable carpet, there comes from the near clock of ebony a muffled peal more solemnly emphatic than any which reaches their ears who indulge in the more remote gaieties of the other apartments. But these other apartments were densely crowded, and in them beat feverishly the heart of life. And the revel went whirlingly on, until at length there commenced the sounding of midnight upon the clock. And then the music ceased, as I have told; and the evolutions of the waltzers were quieted; and there was an uneasy cessation of all things as before. But now there were twelve strokes to be sounded by the bell of the clock; and thus it happened, perhaps, that more of thought crept, with more of time, into the meditations of the thoughtful among those who reveled. And thus, too, it happened, perhaps, that before the last echoes of the last chime had utterly sunk into silence, there were many individuals in the crowd who had found leisure to become aware of the presence of a masked figure which had arrested the attention of no single individual before. And the rumor of this new presence having spread itself whisperingly around, there arose at length from the whole company a buzz, or murmur, expressive of disapprobation and surprise — then, finally, of terror, of horror, and of disgust. Bold and fiery, glowing with barbaric luster: this is the scent of the House of Prospero, the scent of hubris, mad revelry, folly and indifferent decadence, a measured passage through its lurid corridors and seven grotesque apartments. Honey and carnation, rich incense and rose accord, myrtle, red sandalwood, amber, jonquil and clove propel you through the revel, finally seating itself in the final, patchouli, tobacco and labdanum drenched darkness of the blood-tinged western chamber. The Masque is tied with Usher as my favorite in the Maelstrom. It reminds me of the way I wished Luperci smelled- very beeswax (especially wet) with a spicy, musky undertone. I'm not getting carnation out of it except I suspect the spicy scent is partially carnation. The tobacco and clove are two notes I definitely don't get, though I'm sure they contribute to the whole. It's definitely a lovely scent. The honey in it is different than BPAL's usual honey; I like both, but this one smells more like actual beeswax to me. The amber is not powdery in the slightest, and the patchouli contributes a dark flavor to it, I think. The spiciness beneath the honey is delicious. It gets more complex as it dries. It doesn't last amazingly well, but not bad either- say about 4 or 5 hours. It stays pretty close to the skin on me after it's dried. 5 out of 5.
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I was sick — sick unto death with that long agony; and when they at length unbound me, and I was permitted to sit, I felt that my senses were leaving me. The sentence — the dread sentence of death — was the last of distinct accentuation which reached my ears. After that, the sound of the inquisitorial voices seemed merged in one dreamy indeterminate hum. It conveyed to my soul the idea of revolution — perhaps from its association in fancy with the burr of a mill wheel. This only for a brief period; for presently I heard no more. Yet, for a while, I saw; but with how terrible an exaggeration! I saw the lips of the black-robed judges. They appeared to me white — whiter than the sheet upon which I trace these words — and thin even to grotesqueness; thin with the intensity of their expression of firmness — of immoveable resolution — of stern contempt of human torture. I saw that the decrees of what to me was Fate, were still issuing from those lips. I saw them writhe with a deadly locution. I saw them fashion the syllables of my name; and I shuddered because no sound succeeded. I saw, too, for a few moments of delirious horror, the soft and nearly imperceptible waving of the sable draperies which enwrapped the walls of the apartment. And then my vision fell upon the seven tall candles upon the table. At first they wore the aspect of charity, and seemed white and slender angels who would save me; but then, all at once, there came a most deadly nausea over my spirit, and I felt every fibre in my frame thrill as if I had touched the wire of a galvanic battery, while the angel forms became meaningless spectres, with heads of flame, and I saw that from them there would be no help. And then there stole into my fancy, like a rich musical note, the thought of what sweet rest there must be in the grave. The thought came gently and stealthily, and it seemed long before it attained full appreciation; but just as my spirit came at length properly to feel and entertain it, the figures of the judges vanished, as if magically, from before me; the tall candles sank into nothingness; their flames went out utterly; the blackness of darkness supervened; all sensations appeared swallowed up in a mad rushing descent as of the soul into Hades. Then silence, and stillness, night were the universe. The depths of despair, a dark Ecclesiatical triumph: the incense of the Inquisition. The Pit and the Pendulum smells almost exactly like Al-Azif to me. Both have MAAAAJOR throw- like I suspect yards- and are piercingly sweet yet dark incense aromas. There's some extra note in P&P that relates it to the other Maelstrom scents (I think Beth often puts something in each one of a set of LE scents to relate them, I noticed it in Lupercalia too). However it is so very much like Al-Azi I may not keep it, plus I don't wear Al-Azif a ton anyway. I find Al-Azif a bit sweeter, and P&P a bit spicier. For me I'd give it a 3 out of 5, though if you like incense blends go for it. I just have many I prefer, and this is one I feel uncomfortable wearing in public due to how strong it is on me. Your mileage may vary, though, since my skin amps incense to all hell and sweetens it a lot too.
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Ligeia, from Bewitching Brews: And the will therein lieth, which dieth not. Who knoweth the mysteries of the will, with its vigor? For God is but a great will pervading all things by nature of its intentness. Man doth not yield himself to the angels, nor unto death utterly, save only through the weakness of his feeble will. Jasmine, juniper berry and rose geranium. First sniff: Bright, sweet floral with a dark undertone -- a scattering of white flowers across black velvet. The jasmine is very obvious, but the other notes keep it from being screamingly sweet. Wearing: Seems to be pure jasmine on my skin -- the aura is pretty nice, but it's too sweet if I sniff my wrist directly. After an hour or so I do smell something underneath, greenish and a bit more grounded. Mod note: This scent was briefly resurrected from February to May of 2006 as part of the Limited Edition "Into the Maelstrom" series, with the same notes as the discontinued GC blend.
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THE TELL-TALE HEART: No doubt I now grew very pale; --but I talked more fluently, and with a heightened voice. Yet the sound increased --and what could I do? It was a low, dull, quick sound --much such a sound as a watch makes when enveloped in cotton. I gasped for breath --and yet the officers heard it not. I talked more quickly --more vehemently; but the noise steadily increased. I arose and argued about trifles, in a high key and with violent gesticulations; but the noise steadily increased. Why would they not be gone? I paced the floor to and fro with heavy strides, as if excited to fury by the observations of the men --but the noise steadily increased. Oh God! what could I do? I foamed --I raved --I swore! I swung the chair upon which I had been sitting, and grated it upon the boards, but the noise arose over all and continually increased. It grew louder --louder --louder! And still the men chatted pleasantly, and smiled. Was it possible they heard not? Almighty God! --no, no! They heard! --they suspected! --they knew! --they were making a mockery of my horror!-this I thought, and this I think. But anything was better than this agony! Anything was more tolerable than this derision! I could bear those hypocritical smiles no longer! I felt that I must scream or die! and now --again! --hark! louder! louder! louder! louder! "Villains!" I shrieked, "dissemble no more! I admit the deed! --tear up the planks! here, here! --It is the beating of his hideous heart!" This is a swollen, pulsating, thudding scent, heavy with dread; a steady, unceasing, throbbing harbinger of retribution and doom: blood musk, cocoa, black pepper, allspice, dragon's blood resin and vetiver. In Bottle: Dirt and cocoa On Skin: I have to admit, I got this scent purely for the name. I did a dramatic reading of this when I was a kid and it was first Poe favorite. The description did worry me though since the only note I was excited for was the blood musk. Well here we go... The cocoa is strongest followed by the vetiver which create a sweet, “dirty” and powdery blanket. The black pepper is slight but along with the allspice create a spicy and warm feel. The dragon's blood resin is shockingly mellow, very hidden in the background providing a nice base. The blood musk isn't too heavy either but does give a slightly red and animalistic tone to the scent. The description really fits this scent. I can feel the dread, smell the blood and the dirt under the floorboard which is where we're trapped. A very dark and morbid scent, something I'd wear as a conversation piece maybe but not as a normal fragrance.
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<span style='color:red'>Category:</span> Bewitching Brews <span style='color:red'>Site Description:</span> It is a day of days, a day of all days either to live or die. It is a fair day for the sons of earth and life - ah! more fair for the daughters of heaven and death. Sage with orris, Florentine iris and a drop of civet. <span style='color:red'>Initial Impression:</span> Herby, green floral with some spicy/woody undertones. <span style='color:red'>After Wearing It:</span> This is a predominantly sage fragrance, and for this reason I didn't expect much from it and kept trying to write it off as something that wasn't for me. But Morella is persistant. Yes it smells like sage and Yes it's a lot herbier and green than I usually like my scents, but it's still *very* nice. Morella is a complex floral scent that makes me think of crushes herbs and florals laying the undergrowth of a dark and damp forest, lying among moss and the fungi that would seek to help it decay. It's deep, dark and interesting. Something one of the less benevolent varieties of forest elves might wear. <span style='color:red'>Final Thoughts:</span> Even if this doesn't initially seem like your kind of thing, Morella deserves a chance to convince you of its charms. It's very unique and pretty unisex, so if it doesn't turn out to be your thing, you might like it on a boy! Mod note: This scent was briefly resurrected from February to May of 2006 as part of the Limited Edition "Into the Maelstrom" series, with the same notes as the discontinued GC blend.
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Surely, man had never before so terribly altered, in so brief a period, as had Roderick Usher! It was with difficulty that I could bring myself to admit the identity of the wan being before me with the companion of my early boyhood. Yet the character of his face had been at all times remarkable. A cadaverousness of complexion; an eye large, liquid, and luminous beyond comparison; lips somewhat thin and very pallid, but of a surpassingly beautiful curve; a nose of a delicate Hebrew model, but with a breadth of nostril unusual in similar formations; a finely molded chin, speaking, in its want of prominence, of a want of moral energy; hair of a more than web-like softness and tenuity; these features, with an inordinate expansion above the regions of the temple, made up altogether a countenance not easily to be forgotten. And now in the mere exaggeration of the prevailing character of these features, and of the expression they were wont to convey, lay so much of change that I doubted to whom I spoke. The now ghastly pallor of the skin, and the now miraculous luster of the eye, above all things startled and even awed me. The silken hair, too, had been suffered to grow all unheeded, and as, in its wild gossamer texture, it floated rather than fell about the face, I could not, even with effort, connect its arabesque expression with any idea of simple humanity. This is Roderick Usher: a faded genteel light musk and fougere, heightened by hectic white mint, gleaming mandarin, ethereal tea leaf and gritty blackcurrant brushed by the scent of the tarn that surrounds the House, and the gloom and decay of the walls that hold him. Since the review was lost, I'm doing this from memory and notes I saved. Rating (on skin): 3/5 Summarised in a word or two: Refined. In the bottle: Mint, tea leaf, lovely light musk and a bit of mandarin. I love this so far, but it's very faint. On skin, wet: Hmm. Interesting. An oddly... polite kind of musk, soft, muted white mint and dry tea leaf. It doesn't really remind me of aftershave, but it's that kind of thing, if that makes any sense. It's very... refined, and gentlemanly. On skin, dry: Not so much mint now, though it is there. More light musk and tea leaf now. I don't get anything really fruity, but that may be my skin's fault. It loves musks and rarely likes fruit or citrus. Still very... up-scale aftershave without the aftershave. Oddly enough, it doesn't really seem a guy's kind of scent -- on the contrary, it seems to be perfectly gender neutral. Conclusion: Usher is very hard to pin down, and I'm horrible at trying. I rather like the mint/musk/tea leaf combination, but I'm not quite sure if I'd wear it often, because it's a bit too... damnit, gentlemanly. And I hadn't realised it at first, but it does remind me of Dorian, though Dorian is sweeter, with a lovely sugary vanilla element, and that lovely lemon. Usher is... drier and fainter, but definitely similar.
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"Drink," I said, presenting him the wine. He raised it to his lips with a leer. He paused and nodded to me familiarly, while his bells jingled. "I drink," he said, "to the buried that repose around us." "And I to your long life." The black fruit and vanilla oaken notes of fine Medoc and De Grâve, but not a hint of the elusive Amontillado. This smells of black current/cherries with a liberal dose of alcohol but without smelling "boozy" if that makes sense. It has an amazing amount of throw - really packs a punch. It goes through a cherry cough syrup phase before settling down. The golden oak notes are some of the last to come up for me but are fantastic once they do. (For the Lush fans it reminds me a lot of Skin Sin)
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It was now midnight, and my task was drawing to a close. I had completed the eighth, the ninth, and the tenth tier. I had finished a portion of the last and the eleventh; there remained but a single stone to be fitted and plastered in. I struggled with its weight; I placed it partially in its destined position. But now there came from out the niche a low laugh that erected the hairs upon my head. It was succeeded by a sad voice, which I had difficulty in recognising as that of the noble Fortunato. The voice said – "Ha! ha! ha! — he! he! — a very good joke indeed — an excellent jest. We will have many a rich laugh about it at the palazzo — he! he! he! — over our wine — he! he! he!" "The Amontillado!" I said. "He! he! he! — he! he! he! — yes, the Amontillado. But is it not getting late? Will not they be awaiting us at the palazzo, the Lady Fortunato and the rest? Let us be gone." "Yes," I said "let us be gone." "For the love of God, Montresor!" "Yes," I said, "for the love of God!" A deep, rich sherry encased in dusty darkness, touched by oak, and damp catacomb stone. The scent begins with a sense of drunken glee, of orange peel, bittersweet berry and rose hip, and moves inexorably towards the dread and terror expressed in black patchouli. In the bottle, Fortunato reminded me of the often-overlooked masquerade out of the GC... or perhaps, in slight passing, to the discontinued carnivale. It has that same sparkling, festive feel, anchored by bitter orange. This isn't a creamsicle perfume, thank God! I smell a tiny, tiny bit of whiskey/cognac (description says sherry), which gives the scent some elegance, but it's mostly wonderfully tart and effervescent berries on me, with medium throw. It dries down to a surprisingly clean "baby" smell with a touch of rind. The patchouli cannot be explicitly identified as such- only the sense of it. Despite some of my review keywords- berries, babies, festive- this is not a girlish perfume at all. Good for both men and women, and excellent when paired with a black dress. Fortunato is something truly different, and he's my favorite of the maelstrom scents so far, by far.
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...a 1/32oz vial brimming with the scent of three roses and a half bottle of cognac. First off, I have to confess that this little impsy was a serious bit of the draw for me in ordering the Parcel, although I probably would have broken down and done so anyway. 'Cause, well, I love me some liquor scents and Beth does them so well, and roses, while not my favorite floral scent to wear, are among those that I *can* wear. And, well, I was just curious to see what the twist was going to be, if there would be one... In the vial, I mostly smell roses, with a slight liquor undertone. On my skin, it is definitely a rose scent, but these are not bright, fresh new rose blossoms. These are roses that have maybe been left in the vase for a day too long, or musty dried roses - not unpleasant, necessarily, but not in their prime. The cognac is there, but not predominant for me, sadly. I will say, though, that I do not get any obviously unpleasant odors from this, unlike some reviews I've seen elsewhere. I don't smell dirt or dead bodies or decay. Maybe I just lucked out in chemistry. Oh, and the label is really cool.
