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Showing results for tags 'Snow Queen IV'.
Found 20 results
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Dust, rags, leather, and shining steel. Brown leather, steel and a touch of dust. Honestly, this makes me think of a cross between Quincy Morris and the Torture Queen. If you've ever been craving a replacement for Quincy Morris, I'd give this puppy a whirl. Good throw and wear length.
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The discomforts of royalty: a pearl as large as a spinning wheel. Golden rose oudh and saffron swirling over opalescent orris root and a twinkle of translucent petals. In the Bottle: the dusty rose of the oudh and the sweet-spice of the saffron come through quite strongly! Wet On Skin: The rose gains in intensity, but I get a faint dust from the orris root in the background. Dry Down: A lush dried rose incense. I don't do many florals, but this is pretty compelling. And the oudh has given it a lovely incense quality that just might win me over
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A lively bit of larceny: tinkling amber and well-worn boot leather ensnared by covetous, envy-green strands of mint and raw frankincense. I'm so fascinated by It is Gold! It is Gold! hair gloss. It's such an unusual combo of notes and does smell so green. Mint and leather are strong right out of the gates. The mint is really nice, a very refreshing, super-green mint. Just after spraying, I would say that the strength of the mint might actually be on par with the strength of mint in Lick It. The leather is also strong, though, so they're evenly matched. (I'm getting a brown leather note rather than black, although there are surely leather lovers here who would do a better job of parsing.) The frankincense holds things together at the bottom, knitting these two notes together in a really nice way. As it settles in, it remains minty leather and frankincense, all notes ascertainable, but blended together to create a non-foody mint scent that feels wintry and warm at the same time. I find this scent really head-clearing and calming. I think this will be great during the winter, but also wonderful when it's warm out.
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The pure, gentle dreams of the innocent: French lavender, white pear, white sandalwood, and Italian bergamot. Origin: Straight from the Post Initial Thoughts: I like lavender, sandalwood, and pear. Bergamot is okay. There is nothing to fear in this and potentially plenty of good for another lavender-based gloss once my Lilith's runs out. In the Bottle: Lavender and bergamot, with a hint of sandalwood. On Wet Hair: Lavender, sandalwood, and a hint of pear. After Blowdrying: Mostly lavender, but the other notes make it soft and sweet without really presenting themselves. Verdict: A quiet and pretty scent, good for the workplace.
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Terebinth resin crackling with amber and coarse black tobacco, a drop of cardamom husk, caramelized brown sugar, and smoky birch tar. The Language of Crows is sweetness in tension with smoky resins and tobacco. On the one hand, this blend highlights the warmth of amber and caramelized brown sugar. On the other, it highlights the rootsy, gently camphorous terebinth resin and smoky birch tar. The cardamom husk moderates, in a restrained role. On, the sweetness and tobacco reminds me of my beloved Bulgarian Tobacco SN. But this is (obviously) more complex. I would recommend this to those who love tobacco when it's paired with something sweet, and for those who love the brown sugar note but don't mind smoky resins cresting underneath.
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A dignified appointment for worthy corvids. Golden mango, apple peel, and frankincense. OK, well, since no one else is going to go... In the bottle: Fresh mangoes and I would have guessed apple blossom more than apple peel. First applied: The apple takes a more forward appearance and the mango becomes more secondary, I don't get a lot of frankincense, except for maybe a kind of light, fizzy background note. Dry down: A very realistic and fresh fruity scent. I still think it's probably more apple (and to me it still smells rather apple-blossom-y, but maybe now a mix of peel and flowers) with mango in the background. Seems to fade quicker than some other hair glosses, I'd say it lasts a full work day, but it's pretty faint by bedtime, and nothing the next day. I could have done with a little bit more mango, but I really like apple, so I'd still say this is a keeper!
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A rustle of black wings: sweet black patchouli and clove with black amber, agarwood, and gilded lilac. Put this on my hand to sniff and review, as it's subtle enough on my short hair that I can't smell it. Not sure if that influences the scent at all, but I thought I should note it! In short, I love this. The amber/agarwood base is smooth and sweet, and the spice notes are subtle. Patch doesn't take this one over in the least, which happens a lot with patch scents on me. I find it to be mostly agarwood. The lilac is more perfumey than floral, and blends nicely with the agarwood. It has a dark quality to it but also smells clean (i.e. this isn't a sexy kind of scent for me, even with the patch/amber/agarwood combo that would usually signal such a thing). It reminds me of a calm, late autumn night or a walk through the woods as the leaves are starting to fall. I find it surprisingly unisex, given the notes.
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A great, warm hug of relief: snow-dusted carnation and sweet clove. Gently, Gently is just the nicest combination of carnation and clove. Carnation is already a 'spicy floral' to my nose, so the clove really enhances that and brings out the peppery quality in fresh carnations. I don't pick up an overt snow note here, just the sense that these carnations are 'snow-dusted' as in the description. I will likely need more of this. Not only does it make for a beautiful bath, but this would be great for using as a moisturizer and layering with scents like Alice, Eclipses Be, and Clémence.
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Sweet pea and sugar cane. I blind bottled this as soon as I saw the sweet pea and sugar because I'm still suffering from the Great Reflected Vulva Heartbreak of 2014. After painfully doling out a teensy drop from what's left of my decant to compare, I can say that at least to me it's very close. Even though Princess doesn't have the cream note, it still smells soft and creamy to me. This is so sweet and girlish and precious that it should come with a free tiara, and yet it's not overwhelming and cloying. It's absolutely lovely and now I can finally stop pining for the Luper that got away. You're damn right I'm a motherfucking princess and now I smell like one too.
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Clove, tobacco, sweet red patchouli, and chocolate. A Wild and Naughty Girl reminds me of a Vosges truffle: smooth, exotic, and luxurious. This is deep, dark chocolate with warm clove and earthy-sweet tobacco and patchouli. As the blend dries, the chocolate takes a back seat to the other notes. It's like lounging in front of the fireplace while a snowstorm rages outside your cozy cabin and your best friend makes hot chocolate (probably spiked) in a little cast iron cooking pot over the flames.
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Rolling mounds of snow blanketing dwarf birch, willow shrub, black crowberry, and moss campion. This is a predominantly soft, slightly spearmint-y snow blend. A bit like the top note of Snow Bunny. There's a touch of slightly dry greenery - and maybe moss? It's definitely on the more environmental of snow notes. While pleasant, it has pretty low staying power - although this may just be my nose getting used to it really quick, and it being remarkably smoothly composed so that I'm not getting struck by any powerful recurrent scent theme. I like this a lot. It's not super 'minty' but has that sweet, slushy snow note with a kiss of powder, and then the outdoors.
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A soft tea rose sandalwood, sweet with vanilla, golden honey, and sugar cane. In love! This is a soft pink rose spun sugar. Airy and sweet, but not tooth-achingly so. This is different than Razors in a Doll's House, it is softer and lacks the cognac note (which pushed it a little sharp and green for me).
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Smoke and gunpowder, leather and blackened daggers coated in a mixture of pitch and coal. The fact that there is no reviews from all of you BPAL leather lovers is criminal to me. This smells like a luxurious black leather, with enough of a chrome note and a touch of coal to keep it from being one dimensional. This smells like the aforementioned black leather coat that bad boy boyfriend that your parents are always warning you about - smoky, leathery, dangerous but 100% male. Sexy, masculine. All of my black leather lovers out there, holla at this one. Thank me later.
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Dark soil upturned by raking claws, a shiver of pine needles, glints of white frankincense, and a gleaming black rustle of lavender, cade, and opoponax. This is a blend of things I never would have thought to put together, and it really, really works. The pine and lavender are not a combination I would have guessed I wanted, but it's beautiful! The pine is strong at first, but the the lavender amps to balance it perfectly. Anyone who likes the lavender in Mari Lwyd, The Air and the Ether, Hidden Purpose, etc. will like this. It's not too herbal or too floral. The frankincense and opoponax are soft and stick to the background, but they warm up the scent and keep it from feeling too icy, which is a problem I sometimes have with pine. This is truly a standout from the Yules I've tried, and I'll probably end up getting backups.
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Lavender smoke and golden amber, rushing by like a shadow on the wall. Galloping Dreams is simple and lovely. Grey-purple lavender (smoky in a dusky way) and warm amber work together here to create a very effective sleep/relaxation spray. I sprayed my bed linens last night and slept so well! The amber brings down the herbal pitch of lavender (which can sometimes smell a bit astringent to my nose), so I'm free to spray more heavily than I might otherwise. Some night I'll have to spray this and then wear The Air & The Ether for maximum lavender + amber effect.
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Red musk, neroli, pink peppercorn, and orange blossom. An initial blast of sexy red musk. After drying down it tames itself and I get a hint of vixen-ish beauty from the orange blossom. For me, the neroli is a barely there brightening agent at first, but does makes its presence known later on. No pink peppercorn jumps out at me, but not sure id even know it if it was. All and all, very well blended and smells divine! Getting a backup.
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Dried fruits, sweet cakes, and gingerbread nuts. So this is who is nibbling hg, with a little less tooth rotting sweetness, replaced by an air of opulence that I cannot place. What is that unlisted note? I dont want to call it perfumey per se...perhaps its a bit of sweet pea? Fits the artistic impression of the name perfectly! But a gilded coach in Candy land!
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Violet petals shimmering with lilac, wild plum, midnight blue musk, and lime rind. Violets are always my jam. So this definitely found its way into my cart. Wet, it smells definitely a little high pitched from the lilac and plum, reminds me a bit of purple wine, for some reason. On the skin, wet, oh, it's a cacophony of smells! I get the sharp citrus snap and bite of lime pretty strong, and then it goes a bit more fruity because of the plum. Over all this is the pale gray-purple of lilac. Blue musk is always hard for me to pin down, but it's binding these high pitched notes down, only a bit. It's still very sharp while newly applied. As it mellows, what is interesting is the oil/citrus/lime bite remains, even if it's not as uniformly LIME as previously. It adds a chewy bitterness to the blend, always a bit of an edge. Over time there's a thrum of violet. Not candy like, but more like melding with the blue musk to create a smooth shadow flower underneath the fangy lime. This reminds me of a much less candy-like Purple Phoenix in some ways, but definitely not grapey or winey. It's got that same dusky purple fruits/floral as Morgause but sharply present, and definitely lime forward. Cold, iridescent white-green-gray-purple with shadows of blue-violet. I think I may have stocked up real fast on this. It's a very bright lilac-violet-lime, once settled.
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A heart beating with anxiety and longing: rose musk, benzoin, and red sandalwood. In The Bottle: The reaction I got just from sniffing the bottle is a visceral stab to the heart, a rose of holidays passed, worn by my grandmother and her sisters in a by-gone era. Not "old lady" perfume, but rather the stuff that women of a different era favored considerably. Wet On Skin: It's weird, there's no myrrh listed in the notes, but the rose comes across as powdery, just as if myrrh were in the mix. Very perplexing! Dry Down: The musk is mellowing upon dry down, and a sweet, creamy aspect has emerged, reminding me of cold cream from the 40's. In All: a sweet and lovely rose scent. Not sure it's for me, but floral lovers will be very, very happy!
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Soft grey amber, white patchouli, and roasted nuts. Spritzed on my hand for review purposes, as it's too subtle on my short hair to smell from a distance. I had hoped this would be a soft, warm, slightly salty scent. And it is! The grey amber/ambergris is the star here, although it's not as strong as in Hag Grey, for example. It blends almost equally with the patchouli, which is a soft version that doesn't overpower. It's slightly dusty/woody and is set off interestingly by the ambergris. The nuts actually stick to the background in this, and form one of the most interesting bases I've ever smelled. It's rich and fresh, and if I had to guess at a specific type I think I'd go with walnuts. There's also a soft, nutty sweetness throughout. I'm glad I took a chance on this! It's so unique.
